Word: dunaway
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Dates: during 1970-1979
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...Faye Dunaway, the mother, has the gaunt and skittish look of someone who has not quite fully recovered from a recent famine. Frank Langella, the husband, is constantly petulant, like a male model who has just had his week's bookings canceled. He is, however, supposed to portray an author, and spends some time looking at slides representing various facets of modern architecture. Dunaway apparently does not comprehend the exact nature of his work, for when he seizes her rudely one night and tries to have his way with her on a table top, she spurns him with...
...responsible for spiriting them off to the old house. Frank, it seems, was formerly an industrial spy of the first rank. He has been trying to go straight, but "they" won't leave him alone; "they" threaten drastic measures if he doesn't accept another assignment. Dunaway and Langella are desperate, desolate at the loss of their children, although their performances are so consistently immune to emotion that we have only their word on that...
...little bit of cloth. Before he must return to the streets of coldest Cambridge, the two find some time for a pinch of intrigue, a snort of cocaine, and a fair helping of sex (including one of the longest bouts of screen kissing since Steve McQueen and Faye Dunaway locked jaws in The Thomas Crown Affair). Again, not surprisingly, once home Peter soon realizes how much of Susan he misses and John kindly agrees to finance her passage East if she too will bring in some dope...
...abdicating his throne because he could not go on "without the help and support of the woman I love." Soon untold millions of U.S. TV sets will be tuned to ABC's version of the royal romance -called, inevitably, For the Woman I Love. Richard Chamberlain and Faye Dunaway make creditable lookalikes for Edward of England and Wallis Simpson of Baltimore-now Duke and Duchess of Windsor...
...Fort Knox, but he neglected to report the substantial reforms that have swept over the Army since. The result is an engrossing film but failed journalism. This week the PBS Special is a revival of the 1965 off-Broadway work Hogan's Goat, which gave the world Faye Dunaway. Faye is back, and, while William Alfred's blank-verse melodrama about turn-of-the-century Irish-American politics may not be a stage classic, it is a rich adornment to the 19-in. screen. THIS WEEK aims to avoid the primarily headline news service of the commercial networks...