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Word: dunbars (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...every piddling scribbler who happens to be American should rate a course, of course, and the body of American literature is not big enough for a separate department. But certainly if we can lavish a course on "the so-called Scottish Chaucerians, Henry, Dunbar, Douglas and Lindsay," we can afford a course in the exclusive study of contemporary American poetry. Courses like Murdock's old one in the American novel before 1890, and Wilbur's Poe course, should be resurrected. There should be at least one full course in the modern American novel. There could easily be a course...

Author: NO WRITER ATTRIBUTED | Title: Native Neglect | 10/8/1958 | See Source »

...Olive Dunbar made a wonderfully warm and pathetic Mrs. Loman. She was fine all the way through until her closing monologue in the Requiem, which proved a bit too much for her. Robert Evans '59 and Robert Blackburn were a fine pair of errant sons; and John Peters '52 made a splendidly materialistic Uncle...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...half-educated entrance into high society. In this Miss Harris was perfect. Her conversation and accent, a mixture of her own flower-girl experience and the teaching of Professor Higgins, carried the one-sided conversation to a hilarious and colorful climax. She was ably assisted in this by Olive Dunbar as Mrs. Eynsford Hill, and Joyce Ebert as her daughter, whose wonderful indignant facial expression added a great deal of amusement to the overall scene. Cavada Humphrey, as Higgins' mother, played the Victorian matriarch to the hilt. Higgins' colleague, Pickering, was adroitly played by Robert Blackburn...

Author: By Peter Lindenbaum, | Title: Pygmalion | 8/14/1958 | See Source »

Laurinda Barrett makes an admirable Portia, in both the latter's personae; and Olive Dunbar is a model Nerissa. Joyce Ebert's Jessica is attractive but vocally uneven...

Author: By Caldwell Titcomb, | Title: The Merchant of Venice | 7/31/1958 | See Source »

...although the individual performances in this production are memorable, especially those of Miss Dunbar and Mr. Hill, the large credit for its overall excellence belongs with the director. He gives the play unity, motion, and best of all, the sense so often lost that the actors really are speaking to each other--the essence of drama...

Author: NO WRITER ATTRIBUTED | Title: Death of a Salesman | 7/10/1958 | See Source »

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