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...good. But how does Part II, post-1945, measure up to Part I, pre- 1933? Regrettably, not very well. Its beginnings include some striking and even distinguished paintings, notably Wols' scratched, muffled lumps of inert matter, pathetic as the scribblings on the wall of some mental dungeon, and some of Gunther Ueker's nail reliefs from the early '60s. But it is hard to raise much enthusiasm for Richard Oelze's spectral streetscapes or even late Max Ernst, let alone the sensitive but essentially academic abstractions by Willi Baumeister or Ernst Wilhelm Nay. Such things seem included as tunings...

Author: /time Magazine | Title: Art: Tracing the Underground Stream | 12/23/1985 | See Source »

...determined to make the audience see it too. If that means flinging in poetry from Byron, music from Beethoven or borrowings from the past 20 years of avant-garde theater, so be it. His stage effects are frequently apt and memorable. When Dantes is thrown into a dungeon, he and a grizzled fellow prisoner (David Warrilow) wail about their plight as their bodies sink beneath the stage. Soon only their heads are visible, lighted starkly from below, in a striking, Beckett-like image of existential despair...

Author: /time Magazine | Title: Theater: Running Wild with a War-Horse the Count of Monte Cristo | 6/3/1985 | See Source »

...outlines the importance of women in the Quaker movement by focusing on the amazing exploits of a few pioneers. Elizabeth Hooton traveled from England to preach in Cambridge, Mass., where the "college boys...mocked and pelted her." She was placed in a dungeon and left without food for two days before being sentenced to whippings through three towns and expulsion from the colony. Mary Fisher and Elizabeth Williams were to face the same hostility in Cambridge. When asked by the mayor for their husbands' names, the Quakers replied that "they had no husband but Jesus Christ." The mayor promptly "denounced...

Author: By Nadine F. Pinede, | Title: A Century of Change | 10/16/1984 | See Source »

...suspended animation. Time solidifies: a dead weight. The mind reddens a little with anger and then blanks off into a sort of abstraction and fitfully wanders, but presently it comes up red and writhing again, straining to get loose. Waiting casts one's life into a little dungeon of time. It is a way of being controlled, of being rendered immobile and helpless. One can read a book or sing (odd looks from the others) or chat with strangers if the wait is long enough to begin forming a bond of shared experience, as at a snowed-in airport...

Author: /time Magazine | Title: Essay: Waiting as a Way of Life | 7/23/1984 | See Source »

Breathed does have a good sense of self and a good sense of self vs. Trudeau. He tries, somewhat gingerly, to joke about his relationship with his top-box predecessor. In one example. Bloom County star Milo Bloom dreams of being a syndicated cartoonist thrown into the dungeon for missed deadlines, where he is hung on the wall in chains next to a bearded prisoner. The bearded prisoner jokes that he has been in the cellar for nine months, whereupon Milo says "nine months? Wait a minute. Gary Trudeau?...Mum's the word." Nor does Breathed hold back from poking...

Author: By Jonathan S. Sapers, | Title: Loony Toons | 5/3/1984 | See Source »

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