Word: dunst
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...Some of the letters are thoughtful analyses of political subtext, like the one by a Polish fan who saw the Death Star as a metaphor for the Soviet Union. Others contain casting advice, such as the suggestion that Kirsten Dunst replace both child actor Jake Lloyd, as young Anakin Skywalker, and Natalie Portman, as Padme Amidala, in the prequel films. "I know this is possible," says a writer named Duke, "since Jean-Claude Van Damme has done it. lf Van Damme can do it, Mr. Lucas, then Kirsten can, and much, much better...
...story with no shortage of strange Hollywood connections.From TV stars of the 90s to actors known to today’s younger generations, Burton’s child actor rap sheet speaks for itself. Drew Barrymore, River and Joaquin Phoenix, Mary-Kate and Ashley Olsen, Kirsten Dunst, Jaleel White, Hilary Duff, Kirk Cameron, Tori Spelling, and Corey Feldman: all can give thanks to Burton for their discoveries.When I look at this list, though, something startles me. For a moment, I think about some of my favorite TV shows and films from childhood, like “Full House?...
...lures film-makers. But sports fans get the real thing on television every week. There's also the problem of actors trying to look like athletes. And move like them, as if a few weeks' practice is all it takes. So we have movies like Wimbledon, in which Kirsten Dunst's character is meant to be the world No. 1 yet her strokes wouldn't stand out at your mother's Wednesday hit-and-giggle...
...Church), the recidivist hoodlum - and murderer of Peter's sainted uncle - goes all soft and moist as he clutches his young daughter's locket. Peter has a jewelry fetish too: his aunt has given him her wedding ring, which he plans to present to his girlfriend Mary Jane (Kirsten Dunst). But our hero has more urgent concerns. His protracted adolescent funk has given way to an anxiety crisis, from which his ability to soar over the city saving lives cannot extricate...
...ways, there’s something undeniably lovely in her resuscitation of a dusty historical narrative, resisting stuffy reconstruction in favor of dreamily imaginative detail. Though ostensibly starring Jason Schwartzman in a delightfully dead-pan turn as the blundering Louis XVI, and the luminous, ethereal, and well cast Kirsten Dunst (reuniting with the director after their collaboration on “The Virgin Suicides”), special mention must be given to the film’s unbilled supporting standouts: Versailles itself and a $40 million production budget chiefly represented by mountains of pastries, millions of powdered wigs, miles...