Word: dunsteritis
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...Nick Batter ’09 is a mild-mannered college senior, studying history in Dunster and working on his thesis. But by night, actually by night he’s pretty much the same. Except Tuesday nights when he draws cartoons for the Wednesday edition of The Crimson...
...participated in the event. Brown was indifferent about Eliot earning a reputation from the event. “So what? People in Eliot are really weird.” “I’m glad I don’t live in Eliot,” declared Dunster House resident Leah R. Schwartz ’11, adding, “Eliot sucks.” Schwartz, a Radcliffe rower, is one of the many athletes who frequent Eliot dining hall. Unfazed by the pantsless dining episode, she asserted that she will continue her regular interhouse dining...
...Progress,” a modern opera first performed in Venice in 1951, is seldom included in the repertoire of major companies due to the common but misguided perception that English opera is inferior to its Italian or German counterpart. Over the past two weekends, the Dunster House Opera sought to correct this under-appreciation of Stravinksy’s work. Though the undertaking was an ambitious choice—the unorthodox rhythmic and harmonic elements of the music are particularly difficult—the company achieved a level of artistry not often seen within the realm of collegiate opera...
Three decades before attaining a coveted spot in the Obama administration, Christina “Tina” M. Tchen ’78 was at the helm of another political juggernaut: the Dunster House Committee. And though it may seem an unlikely breeding ground for public office, Tchen was not the only one preparing for a place in the limelight—she ran the HoCo with future Massachusetts Governor Deval L. Patrick ’78. In her role as the Director of Public Liaison for Obama, Tchen will oversee the “front door...
After two consecutive years of performing the standard Mozartian fare, the Dunster House Opera Society is about to strut new feathers with Igor Stravinsky’s underperformed, yet influential, neoclassical opera “The Rake’s Progress.” It is DHO policy to alternate between more classical productions and either contemporary or lesser-known work every few years; however, co-producer Clara H. Kim ’09 said that the cast and crew confronted various challenges while staging this modern piece, which conforms to the Mozart model in its organizational structure but strays...