Word: duo
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Dates: during 2000-2009
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...history of animated feature films. 3. Mary-Kate and Ashley Olsen They got their start playing the same person on “Full House” and built a multi-million dollar empire based on the fact that they were twins. But as they entered adulthood, the twin duo decided to go their separate ways and pursue their own interests. Now going by the individual identities of Ashley Olsen and Mary-Kate Olsen, it’s possible to see the same lovely face on more magazine covers than ever before. Hopefully, they’ll be successful enough...
...influence he had onthe sound of the 1950s and '60s earned him the nickname "the father of rock 'n' roll," but Ike Turner was more infamous as the abusive husband of his raspy-voiced wife Tina Turner. Still, Ike was the mastermind of the duo's seminal, sex-soaked Ike and Tina Turner Revue. Ike first got the attention of record VIPs with his muscular, thrashing guitar on Rocket 88, his 1951 album with Jackie Brenston. Then, after a teenage Tina grabbed the mike at one of his shows, he changed course; for nearly two decades, the pair upturned...
...Crimson matches up extremely well with the Wildcats. Speed has been Harvard’s forte this season, as the Crimson features a swift batch of forwards headlined by Vaillancourt along with the blistering Minnesota duo of rookie Katharine Chute and sophomore transfer Anna McDonald and freshman Ukranian import Liza Ryabkina...
...plot points coming out of nowhere and having inconclusive or confusing resolutions. While the movie has many shortcomings, certain actors kept the sinking ship afloat. Pastore (of “The Sopranos” fame) and Outkast’s Benjamin stand out as an unlikely and entertaining crime duo. Pastore, who is tough and sly, and Benjamin, who dresses effeminately and is highly intelligent, have great chemistry and witty banter on screen. Statham is a strong lead as well; however, the sub-par performance of his counterpart, Liotta, undercuts his performance. Liotta’s character is completely...
...Riot” with angsty screams and a guitar riff that recalls the work of his own band. When Tankian returns for some weak white rock star rapping, we wonder why Wyclef bothered. Shakira appears on “King and Queen,” inspiring hope that the duo will recapture the “Hips Don’t Lie” magic, but her chorus disappoints. It’s devoid of rhythm, insipid and dull. Paul Simon’s weak vocals frankly ruin the otherwise promising “Fast Car.” Without...