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...Allen made his debut as a performer at a dim Greenwich Village boîte called the Duplex. It was a fairly unusual première: few audiences, after all, have ever seen a man turn pale green every night. "It was the worst year of my life," admits Woody. "I'd feel this fear in my stomach every morning, the minute I woke up, and it would be there until I went on at 11 o'clock at night. I was trying to be cerebral. I was writing for dogs with high-pitched ears...

Author: /time Magazine | Title: Woody Allen: Rabbit Running | 7/3/1972 | See Source »

Perfect Sense. It is the mark of the eccentric that he considers himself normal; it is only the world that views him as odd. To Allen, the East 79th Street duplex in Manhattan that he now shared with Louise made perfect sense. It had a striking Aubusson rug, a Tiffany lamp, a newly decorated interior. His old apartment had contained a bed in the middle of the floor-and little else. The new main room held a billiard table -and nothing else. The ceilings concealed tiny spotlights to illuminate pictures on the walls. But there were no pictures...

Author: /time Magazine | Title: Woody Allen: Rabbit Running | 7/3/1972 | See Source »

...proposed development would include one 22-story tower with 165 units, 91 more duplex units, and a garage for residents--married students, faculty, and other University employees--as well as the one-acre park...

Author: By Seth M. Kupferberg, | Title: City Environment Committee Debates University Housing Near Somerville | 5/31/1972 | See Source »

...DUPLEX. Black Playwright Ed Bullins is engaged in an ambitious cycle of 20 plays depicting the nature and quality of black life in the U.S. The plays seem to resemble sections of track stamped "destination unknown." This is the price of writing drama that is all middle, with no discernible beginning or end. Bullins is rich in mood, poor in plot...

Author: /time Magazine | Title: The Theater: Triple Trouble | 3/27/1972 | See Source »

...sizable segment of that after-hours world consists of drinking, whoring, gambling and fighting. Bullins would probably get frothing mad at any white (playwright or not) who said some of the things that he says about blacks. He disowns the Lincoln Center production of The Duplex as a "coon show," though nothing in the script indicates that the spirit of the play has been violated. As a slice-of-life playwright, Bullins carves out zesty evocations of drunken parties, card-playing cronies, the sudden sensual thrust and parry of the sexes. When he can carve out the palpitating hearts...

Author: /time Magazine | Title: The Theater: Triple Trouble | 3/27/1972 | See Source »

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