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...commenting upon the exhibition on display last week at Paris' Durand-Ruel Gallery, Critic Pierre Cabanne of the weekly Arts neatly summed up the fate of Impressionist Camille Pissarro. He is largely ignored, said Cabanne, "for not having the ardour of Cezanne, the sensuality of Renoir, the brilliance of Sisley, the visual sharpness of Degas, the fullness of Monet's conception." At first glance, Pissarro's work does seem to lack the dazzle of his colleagues', but after longer study, the full truth emerges. Far from lacking the virtues of the others, he had them...

Author: /time Magazine | Title: Art: Humble & Colossal | 7/20/1962 | See Source »

Error of Imitation. The Durand-Ruel exhibition shows him once again embodying all the currents of the great stream of impressionism. In his early paintings of peasants, there are the same firm, sharply outlined bodies that, in greatly developed form, became the hallmark of Renoir. In the solid structure of the landscape, there are the origins of Cezanne, and some paintings have Monet's ability to dissolve substance into light...

Author: /time Magazine | Title: Art: Humble & Colossal | 7/20/1962 | See Source »

Harem Asylum. Author Thayer is a fascinating raconteur of diplomatic lore; he knows about the envoys who used to smuggle silk stockings for their Russian mistresses into the Soviet Union via diplomatic pouch, and about Sir Mortimer Durand, onetime British minister in Teheran, who agreed to extend political asylum to 300 dissident members of the Shah's harem. Thayer is equally enlightening about diplomatic immunity (even corpses are immune from autopsies), espionage (one of his favorites is the operative who transported his supply of invisible ink by impregnating his socks with it), the character of embassy receptionists (they...

Author: /time Magazine | Title: Books: Better Than Gypsies | 1/4/1960 | See Source »

...support Scott, Director Glenn Goldburg has used stage effects and the few minor characters with imaginative skill. Rachel Durand and Liz Keene, as Little Formless Fears, are visually intriguing; Fred Mueller's Withch Doctor is properly awesome. The half dozen shots fired in the play are startling in their loudness, but very effective, and the lighting, displaying Jones but leaving the jungle nearly black, achieves a difficult effect with skill. Lastly, the off-stage tom-tom pounder, Jack Hyman, should be congratulated for his faithful creation of the most memorable effect in the play...

Author: By Larry Hartmann, | Title: The Emperor Jones and Purification | 12/7/1956 | See Source »

...current showing of in of Pissarro's works staged by the painter's old gallery, Durand-Ruel. the first major Pissarro show in Paris for 30-odd years, goes far to clear and enhance Pissarro's reputation. He was the most impressionable of the impressionists, a painter who influenced a host of painters from Cezanne to Van Gogh and Gauguin, then had the sensitivity and malleability to be influenced by them in turn. The full sweep of Pissarro's lifetime output, ranging from an early landscape done in St. Thomas, Virgin Islands, where he was born...

Author: /time Magazine | Title: Art: PISSARRO: Impressionable Impressionist | 9/10/1956 | See Source »

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