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Word: durers (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...those done in the 19th century by such artists as David, Delacroix, and Manet. Only one contemporary work is shown, a picture of two horses by Chirico which almost seems to be a reversion to the primitive style of the East. Represented also are paintings and drawings by Albrecht Durer, Sassetta, Leonardi da Vinci, Rubens, and Goya. From the 19th and 20th centuries come Daumer, Stubbs, and Degas...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 4/26/1938 | See Source »

Landscape in etching has a fairly definite starting point. That is Durer's plate known as "The Cannon," shown in a fine impression. Remarkable in every way, it stands as the first pure landscape print, as an achievement in panoramic composition, as his last etching. It is all in line, individual strokes that build up the texture of the earth, even the tone...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 3/15/1938 | See Source »

Among the books, many given by Paul J. Sachs, '00, Syndic of the University Press, is a book of letters from T. E. Shaw, better known as Lawrence of Arabia. Others by Kipling, Richard Aldington, and Albrecht Durer, sixteenth century engraver, make up the exhibit...

Author: NO WRITER ATTRIBUTED | Title: American Book Designs, Japanese Art Among Widener and Robinson Exhibits | 2/21/1938 | See Source »

...German drawings. They belong to the sixteenth century but most of them are in ink and are religious in subject. Such for instance is the strange "Pieta" by Hans Leu. Secular and strikingly handsome is the large portrait of Susanna of Bavaria, in crayon on a green ground, by Durer. In sharp contrast is the tragic portrait of a leper, by Holbein...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 2/4/1938 | See Source »

...that proportion has been made among the many masters and schools. And some outline should be given of what awaits a visitor, whether he is a connoisseur who knows the field, or a layman who would go far to see a drawing made by the hand of Raphael or Durer or Rubens...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 2/4/1938 | See Source »

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