Search Details

Word: durers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...performance of one of Isaak's beautiful settings of the popular Innsbruck, ich muss dich lassen showed three ways in which such pieces were executed in the Renaissance: the first verse by chorus alone, the second by Simon and three instruments, the third by chorus and instruments combined. (The Durer water colors of Inns bruck in the exhibition made clear why so many people hated to leave the little town.) With Simon and a lutanist at hand, I wonder why Beckwith gave us only the choral version of Dowland's charming ayre What If I Never Speed?; for Dowland himself...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

...Meudon involved a rare trip into the outside world for the 62-year-old nun who has spent 34 years of her life behind convent walls. Yet in the outside world she is fast becoming a celebrity. Artists and connoisseurs of Paris compare her work with that of Rembrandt, Durer, Goya. French countesses drive out from Paris to the convent at Meudon where she painstakingly turns out her strong, tortured etchings. But Mère Geneviève takes no notice of the sudden fame that might have dazzled her 34 years ago, when she was Marcelle Gallois, Paris...

Author: /time Magazine | Title: Religion: Vocation of a Benedictine | 5/21/1951 | See Source »

Fogg Museum opened an exhibit yesterday that shows how a connoisseur can spot a painting as an original. The six-week display, "Connoisseurship Step by Step," features works by Durer, Degas, Toulouse-Lautree, Rembrandt, and Goya...

Author: NO WRITER ATTRIBUTED | Title: New Fogg Exhibit Demonstrates How to Recognize Art Originals | 3/10/1951 | See Source »

Technically, Grosz ranges widely. Some of his early works show the influence of the first Italian abstractionists; others, like his "The Horseman is Here Again" and "Christ in a Gas Mask," have much of the quality of Durer's woodcuts. Later watercolors, however, are pure reflections of his own creativeness. These paintings, dating from 1946 to the present, repeatedly picture a twisted, angular, skeleton-like creature whom Grosz calls "the Gray Man." Other recurring symbols are an artist's canvas with a hole torn in its center, and a rainbow-colored flag torn from its staff. The series of water...

Author: By Stephen O. Saxe, | Title: ON EXHIBIT | 11/22/1949 | See Source »

Meryon's etchings shared top honors in the show with Gallatin's two other favorite print-makers: Rembrandt and Albrecht Durer...

Author: /time Magazine | Title: Art: Troubled Tinker | 7/11/1949 | See Source »

Previous | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | Next