Word: dust
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Dates: during 1980-1989
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...horrifying sight. A mile-long section of the freeway's upper deck began to heave, then collapsed onto the lower roadway, flattening cars as if they were beer cans. "It just slid. It didn't fall. It just slid," said Reynolds. "You couldn't see nothing but dust. Then people came out of the dust." But not many. Dozens of cars were crushed in the concrete sandwich. Officials hoped, against all odds, that most carried only one person. A mile or so away, engineer Bruce Stephan was driving home on the upper deck of the Bay Bridge. He gripped...
...corner of Sixth and Bluxome streets, however, the fourth-floor brick wall of a building erected a few years after the 1906 quake tore loose. "Bricks were falling, and dust was everywhere," said Charles Pinkstaff, who ran out of a nearby structure that also rumbled. "Then everything was quiet, except for water dripping somewhere. I saw a car smashed so flat I couldn't tell if anyone had been in it." When he got closer, he saw that the driver had been decapitated. The falling wall had smashed seven cars, killing at least five people. "I've seen people...
...workers cleared off the dirt, they uncovered a small ceramic pipe resembling an air vent. The "pavement" turned out to be the arched roof of a small rectangular tomb. Inside: a dusty sarcophagus. "I pried the top off with an iron bar," says Muzahim. "There was more dust inside, but when I held up the light, it was reflected back into my eyes by the gold...
...July, digging a few yards from the original find, Muzahim discovered the roof of another tomb and sarcophagus, which contained only dust. But near the sarcophagus were three bronze containers filled with 22 kg (48.5 lbs.) of gold -- more than 440 pieces in all. From cuneiform clues, archaeologists believe these jewels represent the private collection of an Assyrian queen, perhaps the wife of Ashurnasirpal himself...
That is a question Japanese carver Koryu Kawaguchi asks as well. On the outskirts of Tokyo, the 70-year-old master carver sits on a tatami mat, his workbench and tools covered with a fine ivory dust. In his hands is an ivory figurine of the Merciful Mother Kannon, which he has been carving for a month. Beside him sits his son Ryusei, 37, a fourth-generation ivory carver. The elder Kawaguchi is a gentle man with a reverence for the gleaming white medium he has spent his lifetime bringing to life. His eyes are weak from the strain...