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...martyr to middle-class morality, and now he is being hailed as the most influential social satirist of the era. A dozen-odd records of Lenny are available, plays and films have been made of his life, and now another movie is under way in Miami. Dustin Hoffman, 36, has the lead in Bob Fosse's Lenny, and, on location, he came up with his own analysis of Bruce. "He was a man who loved his country and believed in the Constitution, in the right to freedom of speech." As to whether Lenny was pornographic, Hoffman declared: "The words...

Author: /time Magazine | Title: People, Mar. 4, 1974 | 3/4/1974 | See Source »

ALFREDO ALFREDO has Dustin Hoffman looking squirrelly and speaking Italian. More exactly, it is spoken for him, in a dubbed voice that is not synchronized to his lip movements but superimposed on them. Robbing an actor of his voice is like chopping off an acrobat's legs. Hoffman remains undaunted, even though watching him is like seeing Jerry Mahoney doing a solo...

Author: /time Magazine | Title: Cinema: Quick Cuts | 1/7/1974 | See Source »

Some-like Henry Charriere (Steve McQueen), whose nickname, Papillon (Butterfly), is symbolized in a tattoo on his chest-are endlessly obsessed with plans for escape. Others, like Louis Degas (Dustin Hoffman), try to get along by going along. Still others are on hand to demonstrate by their dramatically timely deaths just how difficult both courses are. Much suspenseful, if highly stylized, drama results from the interaction of these characters with one another and with hell on earth. Devotees of the prison-and-escape genre will enjoy anew such tradition-blessed ploys as the smug-gled-weapon bit, sundry chases through...

Author: /time Magazine | Title: Cinema: Escape Vehicle | 12/31/1973 | See Source »

...greatest Chaplin films, Modern Times and City Lights, are at Park Square over the weekend, and Papillon, with Dustin Hoffman and Steve McQueen, about prison life and escape, starts at Beacon Hill. Have a Merry Christmas...

Author: NO WRITER ATTRIBUTED | Title: Screen | 12/20/1973 | See Source »

...brand of East Village existentialism but since Tommy it's a pretty trite trick. The conventional film segments at the end only expose the paucity of the caricatures and if Bakshi is forced already in his second film to resort to autobiography--he sees himself as a kind of Dustin Hoffman character, and shamelessly tacks "Scarborough Fair" onto the sound track--then is much touted "possibilities" must be questioned. Animation demands new tricks all the time, and it seems doubtful whether any one-man show--and especially this one--can continue to provide them for very long...

Author: By Phil Patton, | Title: Film in Venice | 9/24/1973 | See Source »

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