Word: dvorak
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Friday's finale proved no less majestic than the Dvorak of November, even though the orchestra had had less time in which to prepare their repertoire. Even the Dallapiccola pieces were bearable, if only for the novelty of watching Randall Hodgkinson and the talented orchestra attack the variations. Variety is, after all, the spice of life...
...Dvorak was ambitious about securing a place for himself in the symphonic tradition: his Eighth Symphony, in G, was his first undeniably great shot at entering the pantheon. The materials are simple, but the orchestration is incredibly rich. As the performance went, there may have been a textual imbalance on the side of too much brass, but Susan Gim '01 played her flute part superbly, and there were plenty of opportunities for the strings to generate a beautiful sound. The solo by Concertmistress Jen Burney '99 was one of the best parts of the first movement and, incidentally, authored...
...Radcliffe Orchestra, under the direction of Dr. James Yannatos, opened its 190th season with an admirably diverse and contemporary program: Hindemith's Symphonic Metamorphoses on the Themes of Carl Maria von Weber, the premiere of Yannatos Concerto for String Quartet and Orchestra, performed by the Mendelssohn String Quartet, and Dvorak's Symphony No. 9 "From the New World...
...performance of the Dvorak maintained a strong forward momentum, the tempi in all but the second movement appropriately quick and flowing. The tight sforzandi that are so characteristic of this work were attacked consistently and with amazing precision. Subtle changes in tempo within movements were elegantly executed, as well as dramatic changes in dynamics, moving easily between thundering chords and delicate melodies. Particularly notable were the passionate development in the opening movement, the excellent phrasing of the slower second movement and the move to the overwhelming climax in the finale...
...Dvorak, the score provided ample opportunity to demonstrate the orchestra's varied colors. Especially striking was the percussion ensemble of the second movement, consisting of triangle, tom-tom, snare drum, cymbal, wood block, gong and chimes. After an initial statement, the ensemble returned to a perfectly executed dynamic rise and fall. In the third movement, the flute performed the solo melody effectively with a sort of rubato, freely suspended over the rest of the orchestra...