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Word: dvoraked (lookup in dictionary) (lookup stats)
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...attentive, as The First Wives Club is, to a brutal supposition in popular psychology: men tend to homicide, women to suicide. In the traditional view, this is the only heroic violence suitable for a lady--to die with dignity. In the 1932 Three on a Match, society wife Ann Dvorak leaves her loving husband for a small-time gambler, neglects her child and, realizing the error of her ways, kills herself. Best friend Joan Blondell marries the husband, and Bette Davis moves in as nanny. The 1937 Stage Door has an array of dazzlers (including Hepburn and Ginger Rogers...

Author: /time Magazine | Title: THE LADIES WHO LUNGE | 10/7/1996 | See Source »

...that classical contemporaries like Josef Hofmann or Josef Lhevinne had to offer. Her performance of Gershwin's Fascinatin' Rhythm out-Gershwins the great man himself. Confrey's rhythmically tricky 1921 showpiece, Kitten on the Keys, is novelty's signature tune, but his Humorestless, a clever musical pun on both Dvorak's Humoresque and Stephen Foster's Old Folks at Home, is equally typical of his exuberant style. Most ambitious of all was the "Girl Gershwin," Dana Suesse (pronounced Sweese), born in Kansas City, Missouri. Her complex compositions such as Afternoon of a Black Faun and Jazz Concerto in D Major...

Author: /time Magazine | Title: MUSIC: THEY HAD RHYTHM TOO | 2/5/1996 | See Source »

Toscanini Chamber Orchestra. Presents aconcert featuring works of Vivaldi, Haydn,Beethoven and Dvorak. Paine Concert Hall, 8 p.m.Free...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/27/1995 | See Source »

...took up the baton for the first time on the Dvorak. Too often, his motions in the first movement fell out of kilter with what the group was trying to convey. While they drew out long lines for phrases, Yoo still rocked back and forth much like the ticker on an old-fashioned metronome. In this case, there was little evidence to support the typical claim that the ensemble simply wasn't following the leader well enough. At least in the first movement, Yoo's style clearly drew more on his own enthusiasm than on any particular intent...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

...third movement, a Scherzo, Metamorphosen greeted the audience with another refreshing change for the Dvorak--the weightless effervescence that only a small group can create. The music seemed to reside in an area several feet above the players' heads and filtered out to the audience in sparkling strands...

Author: By Dan Altman, | Title: Morphing Music to Public Appetite | 2/16/1995 | See Source »

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