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...single visual strategy: flossy soft focus in The Getting of Wisdom, low-angled shots for the heroes and villains of Breaker Morant, hyperactive camerabatics to catch the footballers in The Club, and, to emphasize the lonely helplessness of Mac and his kind, a series of longshot landscapes that dwarf the actors. But with his jeweler's eye for casting and a fond patience with his actors, he allows every performance in Tender Mercies to shine through the visual clichés like the home truth in a country ballad...

Author: /time Magazine | Title: Cinema: Heart of Texas | 3/28/1983 | See Source »

...trouble in Anthony Demmer (James Russo), a tirading troglodyte in a three-piece suit who has made a pathetic slave of the billionaire. While muttering such maxims as "Truth is a dead man's secret," Angel zigzags through encounters with craven executives, junkies and a malevolent dwarf bartender toward a fatal rooftop rendezvous with Demmer...

Author: /time Magazine | Title: Cinema: To Be Young, Gifted and Broke | 3/14/1983 | See Source »

BARBAROSA FRED SCHEPISES NEW FILM, is a wonderfully subtle and sly exploration of the two basic elements that have always defined the great westerns, land scrape and legend. The vast desert expanses dwarf the figures riding across them, and likewise, the big myths of the West have always swallowed up the real actions of those figures Unfortunately, in recent Westerns both elements have been undermined. The legends have been pulled out of glorious iconic two-dimensionality and reduced to human levels, and the landscape have been deflated from three-dimensional grandeur into a series of all-too-familiar picture postcard...

Author: By Jean-christophe Castelli, | Title: Western Redux | 11/19/1982 | See Source »

...interior has two great faults. The main galleries, with their rhetorically high ceilings and towering walls of bushhammered concrete ("soaring" is the requisite adjective here), completely dwarf the paintings, turning Jackson Pollock's Blue Poles into a little silvery postage stamp. Worse, no role is played by Canberra's one architectural asset, natural daylight. Without it, the paintings look embalmed. This accords with the programmatic opinions of one of the gallery's early advisers, the former American museum director James Johnson Sweeney, but it is a grave mistake...

Author: /time Magazine | Title: Art: At Last, the Canberra Collection | 11/15/1982 | See Source »

...corner of the Science Center belies the cavernous two-story room behind it: a blast of warm air and the loud rush of machinery engulf the visitor as the door swings shut on a familiar world that is light, breezy and boundless. Inside, the huge water tanks that dwarf green-uniformed workers and the computer control room could grace the set of any James Bond science fiction scenario...

Author: By Holly A. Idelson, | Title: Tunnel Visions | 9/29/1982 | See Source »

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