Search Details

Word: dwelled (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...bland scenes that dwell on Hellman's love affair with Writer Dashiell Hammett (Jason Robards) are as cryptic as they are irrelevant. Meanwhile, other poorly delineated supporting characters prance around without apparent purpose...

Author: /time Magazine | Title: Cinema: A Convoluted Memoir of the '30s | 10/10/1977 | See Source »

...relates how he foiled her best-laid plans to do him in. Watching the would-be widow get her just desserts restores a sense of justice to the film, but here the structure of the story shows its first signs of coming a cropper. Chabrol chooses to dwell on Steiger's triumph for several more scenes, losing himself in the indulgent exercise of drawing out the rites of vengeance...

Author: NO WRITER ATTRIBUTED | Title: Whose Hands Are Dirty? | 10/5/1977 | See Source »

...second families." Ann married a British diplomat; a year after his divorce, David wed Jane Eustace, editor at Cornwell's English publishers, Hodder & Stoughton. After Son Nicholas was born in 1972 the new family centered on the cliff house in Cornwall. To go farther west from London and still dwell in England, the citizen would have to be a lighthouse keeper. In a way, Le Carré is precisely that...

Author: /time Magazine | Title: The Spy Who Came In for the Gold | 10/3/1977 | See Source »

...everyone who plays the game knows the risks involved; everyone can look objectively at what may happen. It simply doesn't pay to dwell on the undesired possibility of injury. Once a player begins to protect himself, to play cautiously, to shy away from contact, he not only loses his effectiveness but he actually increases his chance of being injured. Instead of dishing out contact he becomes a target...

Author: By Bob Baggott, | Title: The Bitter With the Sweet | 9/23/1977 | See Source »

...usual film fare, but the protagonists' quirky personalities are only part of the story. Odd-couple films are nothing new to American audiences, and--if one can hazard any generalizations about such movies--they tend to have a built-in pitfall. Few directors can resist the temptation to dwell on the most obvious differences between the two principals and milk every embarassed chuckle and nervous giggle out of the gag. This is acceptable for the first 15 minutes or so, but the jokes wear mercilessly thin after a while, and crass exploitation soon rears its ugly head. No such problems...

Author: NO WRITER ATTRIBUTED | Title: Creme de la 'Outrageous' | 9/14/1977 | See Source »

Previous | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | Next