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Americans of different generations inhabit the same continent, but they exist in different eras. The American mind is, in effect, stretched out over several decades. The radical young dwell in a projection of the '70s. The values of many of their fathers are the ethics of the Depression, of World War II or the later '40s. In the imagination of his ideals, the Middle American glimpses cracked snapshots through a scrim: a khaki uniform, trousers gathered at the waist; a souvenir samurai sword; a "ruptured duck"; a girl with Betty Grable hair and hemline; the lawn of a barely remembered...

Author: /time Magazine | Title: Man and Woman of the Year: The Middle Americans | 1/5/1970 | See Source »

...provided by his own experience a perfect rebuttal of what he accusingly said about TV in his speech-that without justification, it can bring an obscure figure to prominence overnight. If Agnew, by his public speeches, had not compelled the networks to pay attention to him, he would still dwell in vice-presidential obscurity. Spiro Agnew owes his office to Richard Nixon, but today he is also a creation of the media...

Author: /time Magazine | Title: Nation: AGNEW DEMANDS EQUAL TIME | 11/21/1969 | See Source »

...associations, confusing as they may be. The ancient Athenians, true urbanites, delighted in the everyday drama of human encounter. For them, the city was the supreme instrument of civilization, the tool that gave men common traditions and goals, even as it encouraged their diversity and growth. "The men who dwell in the city are my teachers," said Socrates in Plato's Phaedrus, "and not the trees or the country." In turn, the city transformed them into something they had not been previously ard could not have become without it-men who within a few generations produced more thought...

Author: /time Magazine | Title: Essay: WHAT MAKES A CITY GREAT? | 11/14/1969 | See Source »

...settlement called No Name City sprouts at the peak of the Gold Rush. Population: male. In No Name dwell a miner, forty-niner (Lee Marvin), and his partner (Clint Eastwood). In time -great gaping wastes of it-along comes a blonde named Elizabeth (Jean Seberg). There isn't enough of Elizabeth to go around, so she shacks up with both partners. They make a beautiful triple until No Name is visited by some outsiders carrying a plague of respectability. Elizabeth succumbs, and only an hour and a half after the audience anticipates it, she settles down with...

Author: /time Magazine | Title: New Movies: Fool's Gold | 10/24/1969 | See Source »

...entirely happy with the direction the new found enthusiasm for films in the United States is going. He feels there is something wrong with critics and filmmakers who dwell on technique to the extent of eliminating content in movies...

Author: By Frank Rich, | Title: Downey, Truth and Soul | 10/3/1969 | See Source »

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