Word: dyck
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...greatest Italian paintings the world would ever see, was Titian's Rape of Europa. Few paintings have served as such imaginative inspiration to other artists; it is known that Rubens and Sir Joshua Reynolds had copies from the original in Venice; this painting also influenced Van Dyck and Rembrandt, as well as the Spanish school (e. g. Velazquez). The picture is of a white bull carrying away the swirlingscafed Europa on his back; blue vs. red is the dominant color scheme typical of Titian's early works...
Some of the students who received disciplinary letters from the University were: admonished-John Husken '73; warned-Ginny Vogel '70, Barbara A. Slavin 72, Lafayete Ketton '73; required to withdraw until June, 1970-Judith R. Kaufman '70, John H. Dyck '72, Thomas R. Bailey '73, Elizabeth M. Harvey '71, required to withdraw until February, 1971-Emily T. Huntington '70; required to withdraw until February, 1971-Emily T. Huntington '70; required to withdraw until June, 1971-Cheyney C. Ryan '70; received suspended suspensions until June, 1971-Jonathan Levinson...
...that Jordaens was not just a poor man's Rubens-who in that day was the acknowledged titan who bestrode not only the narrow world of Antwerp but all the courts of Europe. Certainly many of Jordaens' paintings echo his master, just as do some of Van Dyck's, Rubens' other (and younger) disciple. Van Dyck went to the British court to make a successful career as perhaps the sleekest portraitist of all time. Jordaens stayed in Antwerp...
Indulgent Affection. Jordaens scorned Van Dyck's elegancies. In contrast to Rubens, he looked at the roistering pleasures of a good burgher's family life without feeling any need to translate them into the realm of gods, goddesses or nymphs. He was more interested in the play of light than Rubens ever was, and his studies of faces, with that unexpected illumination that candlelight can bring, are something that Rubens never tried nor achieved...
...brush in which painting, there is good reason. Every important master in those times-including Jordaens-kept an atelier that employed dozens of apprentices to help execute the large decorative panels that were the order of the day. Even major painters often helped each other on big commissions. Van Dyck and Jordaens worked side by side on the Rubens ceiling pieces for the Jesuit Church in Antwerp. The Jordaens show itself is also a major achievement in assemblage. Paintings were loaned by Queen Elizabeth, President Giuseppe Saragat of Italy, the Prado, and Rumania's Brukenthal Museum. Even Leningrad...