Word: dying
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Dates: during 1900-1909
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Following is the programme of the Pop Concert at Symphony Hall tonight: 1. March, "Queen of Sheba," Gounod 2. Overture, "William Tell," Rossini 3. Selection, "Geisha," Jones 4. Waltz, "Morgenblatter," J. Strauss 5. Fire Charm, from "Die Walkure," Wagner 6. Prelude, "The Deluge," Saint-Saens Violin Solo by Mr. A. Birnbaum. 7. March, "Tannhauser," Wagner 8. Selection, "Grand Duchess," Offenbach 9. Overture, "Poet and Peasant," Suppe 10. Waltz, "Espana," Chabrier 11. Selection, "Yankee Consul," Robyn 12. March, "Stars and Stripes Forever," Sousa
...cowered, and feared to die... "Gloria Mundi" is Wordsworthian pantheism in minor, cunningly condensed in the expression, evoking thought, yet somehow rather clever than convincing. Lastly "Pandora Sings" exquisitely with perfect modulation, perfect phrasing, perfect key, yet is it carping?--behind the tragic mask I somehow feel the dialectician other than the suffering creature...
...article on "Harvard Oarsmen," by G. L. Meylan '00, ought surely to allay the fears of those who are anxious about, the mental and physical welfare of our rowing men. It shows conclusively that Harvard oarsmen do not die prematurely, and that they live longer than the average of healthy men accepted by life insurance companies. Furthermore, it shows that, taking "Who's Who in America" as a standard, a far larger percentage of oarsmen attain distinction that of graduates as a whole...
...Heinrich Conried of the Metropolitan Opera House, New York, will give a German play here on March 16. under the auspices of the German Club. The play is entitled "Die Jugend-Freunde," and is by Ludwig Fulda...
Through the courtesy of Mr. Heinrich Conried three German plays were presented in Sanders Theatre in the evening by the Irving Place Theatre Company of New York. These plays, typical of different stages in the German drama, were "Der Fahrende Schuler in Paradies," by Hans Sachs, "Die Gesch- wister," by Goethe, and "Unter Vier Augen," by Ludwig Fulda. The first of these was very amusing in its grotesque quaintness, and the last in its humorous situations. The play by Goethe was the least attractive of the three. It made no claim to humor, and as a serious piece, failed...