Word: dying
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Dates: during 1970-1979
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...regulations, which the NCAA described as a "major departure" from previous proposals, have raised quite a fuss. Large universities--investing hideous amounts of money in football and basketball programs, they claimed, would die. Coaches of revenue-producing sports--read: football, basketball ad nauseum--were outraged. Meanwhile, women athletic directors and athletes were outraged that the college coaches and directors were outraged. While everybody argued, HEW declared a "comment period" of four months in which anybody with anything to say about the problem would speak his/her piece. And 750 groups did, some with letters as long as 40 pages...
...riot, the massive retaliation reinforced the tribesmen's conviction that the Khalq regime is an atheistic puppet of the Soviet Union. Said one unrepentant factory business manager in Herat last week: "I don't just want the Soviets to leave. I want to see them all die...
...appearance seems like a testing of the waters that turned into a tidal wave. Word is that The Who will be back in the States come December, making a wider swing along the East Coast and through the Midwest, and demonstrating that they can still sing "Hope I die before I get old" with passion and impunity. What a way to bring...
...film's setting is an idealized Lancashire town where American G.I.s are stationed while waiting to invade the Continent. The plot is Hollywood's ancient love-today-for-tomorrow-we-die formula, taken to the third power: three Yanks of varying rank (Richard Gere, William Devane, Chick Vennera) relentlessly pursue three Englishwomen of varying social status (Lisa Eichhorn, Vanessa Redgrave, Wendy Morgan). Since two of the heroines have home-town heartthrobs fighting overseas, the American interlopers meet with some early but usually temporary setbacks. By the time the movie reaches its climax-an irresistible train station farewell, complete...
...production savors the visual opportunities of Das Rheingold, wringing it of every bit of spectacle--including towering potato-sack giants. Die Walkure, the best of the four adaptations, flows well musically; Sellars cuts out nearly the entire second act. Though that act, with a 25-minute monologue from Wotan, is the ideological lynchpin of the whole cycle, it rightly is the first to go in a conception of the Ring as entertainment. Walkure also benefits from the absence of Sellars' sometimes-intrusive narration. The presentation races through Siegfried, barely pausing for Siegfried to slaughter a garbage-bag Fafner, and into...