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Even as an alderman, however, Soglin remained an outsider. He continued to take part in student demonstrations, was twice arrested and, on one occasion, bailed out by a sympathetic fireman. He clashed with Mayor William Dyke over such issues as police brutality and budgets. But he also learned about municipal government, studying substantive subjects such as housing and transportation and getting a feel for such arcane matters as sewer maintenance and zoning regulations...

Author: /time Magazine | Title: MAYORS: A Radical's Greening | 7/1/1974 | See Source »

...claim that they never suspected that they were being used to launder the money contributed to Nixon. Ironically, many of the lenders were prominent Democrats, including Richard Maguire, former treasurer of the Democratic National Committee; the late Clifton C. Carter, former executive director of the D.N.C.; and Ted Van Dyke, who was an adviser to George McGovern's presidential campaign in 1972 and to Humphrey's campaign...

Author: /time Magazine | Title: POLITICS: Milkmen Skimming Off More Cream | 4/8/1974 | See Source »

SUNDAY: The Boston Stranger. 1968. The ABC network broadcast of this sensationalistic pseudo-documentary is being blacked-out in Boston by the local affiliate which is showing "The Comic" starring Dick Van Dyke. For real Tony Curtis freaks, channel 9 in Manchester, N.H., is sometimes accessible in Boston with an antenna. 8:30 p.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 1/24/1974 | See Source »

Reiner devoted more time to writing and producing for Dick Van Dyke, and Brooks went on to win academy awards for writing "The Critic" and "The Producers." Both, however, were plagued by constant appeals to revive their creation. Finally, they relented, and to celebrate, Warner Brothers bought the three old recordings from Capitol, and re-released them in a slick Christmas package, optimistically titled The In complete Works of Carl Reiner and Mel Brooks...

Author: By Tom Lee, | Title: The Musical Fruit | 1/18/1974 | See Source »

...black, tough, gorgeous and invincible-not necessarily in that order. Cleopatra, who is referred to as "wonder woman," is particularly concerned with quashing dope traffic in the ghetto, and the movie manages to be effective anti-junk propaganda without getting sanctimonious about it. The archvillain is a bulbous bull-dyke, a queen of the pushers called Mommy (Shelley Winters), who turns herself out in a lot of black and henna and rains down awful retribution on recalcitrant underlings. Cleopatra and Mommy spend most of the picture circling each other, but when they finally get together it turns...

Author: /time Magazine | Title: Cinema: Wonder Woman | 8/6/1973 | See Source »

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