Word: dykes
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Once upon a time (c. 1910) there was an inventor named Caractacus Potts (Dick Van Dyke). He and his two children-apparently spawned by autogenesis, since there is no mention of a mother-live with their potty Grandpa (Lionel Jeffries) and a bunch of malfunctioning machines, ingeniously designed by Rowland Emett. Like the man who invented five-up and six-up and then gave up, Caractacus falls just short of greatness. His vacuum cleaner not only cleans the rug, it swallows it. His color television set just broadcasts wobbles. His Icarus act fizzles when the rockets tied to his back...
...What was the name of Buddy's wife on the Dick Van Dyke Show...
...Sweet It Is!, nearly all the personnel came out of the tube. Director Jerry Paris is from the Dick Van Dyke show. The writers are out of the Danny Thomas factory. The star, James Garner, was once Maverick. Fair enough; talent has to break in somewhere. But this febrile farce betrays its videosyncrasies wherever it meanders. Garner, a magazine photographer named Grif, finds that he cannot communicate with his hippie dippy son. When the boy decides to tour Europe, his meddle-class mother (Debbie Reynolds) decides to fill the generation gap by taking a house in France for the summer...
...Days, a sort of Mediterranean-style café song, she gives a gently swaying, lyrical performance. Another record, produced by George Harrison, offers Liverpool Rock Singer Jackie Lomax, 24, in a driving, bluesy delivery of a Harrison song, Sour Milk Sea. Then there is the 113-year-old Black Dyke Mills Band from the Yorkshire town of Queensbury. Producer McCartney decided that their traditional brass sound would be just right for Thingumybob, a theme that he and Lennon wrote for a weekly London TV show...
...illusion. Without me you don't exist." And the tyrannical studio head (Ernest Borgnine) who has monograms even on his toilet seats. And even the lesbian pass-made in this case by Italy's Rossella Falk, whose slinky version of a dope-shooting dyke is the best bit in the film. Director Robert Aldrich, who cut close to the Hollywood bone 13 years ago with The Big Knife, moved on to more forthright mayhem with What Ever Happened to Baby Jane, Hush . . . Hush Sweet Charlotte and The Dirty Dozen. Even in this company, Lylah Clare doesn...