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...these inclusions are vibrant and meaningful. One of them, which is particularly important given the novel’s race-conscious veneer, involves the black neighborhood kids’ singing of Wild Cherry’s “Play that Funky Music” to taunt the isolated Dylan??s whiteness. “At the very least, the song was the soundtrack to your destruction, the theme…[it] ought to be illegal,” Lethem writes, pinpointing the agony a single grade school taunt can impart on the impressionable mind...

Author: By Joe L. Dimento, CONTRIBUTING WRITER | Title: Lethem Talks ‘Solitude’ to Cantab Crowd | 11/7/2003 | See Source »

...Dylan??s not a big, big kid, and at times the draft, like it or not, is still predicated a lot on size, especially for certain positions, so this is a real compliment to him,” Mazzoleni said. “It’s very refreshing to see someone taken based on his ability...

Author: By Jon PAUL Morosi, CRIMSON STAFF WRITER | Title: Incoming Harvard Freshman Drafted by N.Y. Rangers | 6/27/2003 | See Source »

...1960s dawned, the home of folk musicians wasn’t Grenwich Village—it was Harvard Square, and more specifically Club Passim. Artists ranging from Bob Dylan to Joan Baez would play benefits for Harvard students and headline social protest rallies. Dylan??s first album even has lyrics about drawing inspiration from wandering through Harvard Square...

Author: By Nicole B. Usher, CRIMSON STAFF WRITER | Title: Harvard Graduates Play Folk Mecca Club Passim | 2/7/2003 | See Source »

...found its genesis in Music 91r, an independent study class. As a class project, Michael D. Ramos ’02 and Matthew T. O’Malley ’02 sought to create a showcase of musical diversity. Even the title, a line from Bob Dylan??s “All Along the Watchtower,” they said, was meant to serve as a poetic offering of their music...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: Students Showcase Diverse Music Talent | 5/13/2002 | See Source »

...contrast to the empty chest-beating that characterizes much hip hop, J-Live’s lyrics are as central to his music as Bob Dylan??s. A bona fide emcee, J-Live grips the mic with the fire of a hungry artist and the self-assuredness of a professional. He flows like liquid, but his voice resonates with urgency and charisma. His songs are rife with lyrical invention: “One For The Griot” seems like a typical storytelling rap until someone in the studio complains about the violent ending, prompting him to rewind?...

Author: By Ryan J. Kuo, CONTRIBUTING WRITER | Title: Hip Hop: More Than Thugs and Gangstas | 4/26/2002 | See Source »

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