Word: dysart
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...equine gods. In a Broadway season when neophytes from Katie Holmes to Cedric the Entertainer are making their stage debuts, Radcliffe transcends stunt casting. He holds his own nicely opposite Richard Griffiths, the portly, Tony-winning star of The History Boys, who makes the psychiatrist, Dr. Martin Dysart, an empathetic if less charismatic figure than some actors (Anthony Hopkins, Richard Burton) who have played the role before...
...sometimes overexplicit theme - that old chestnut about the "insane" being more authentically alive than those of us leading ordered, conformist, "normal" lives. "The boy has created out of his drab existence a passion more ferocious than any I have known in any second of my life," says Dr. Dysart. "That's what his stare has been saying to me all this time. 'At least I galloped...
Equus is a psychological drama focusing on a single, horrific crime: a 17-year-old boy, Alan Strang, blinds six horses with a metal spike. His psychiatrist, Dr. Martin Dysart, must find out why and cure him. It gradually comes out that Alan (Jack E. Fishburn ’08) has combined the influences of his parents, his hatred of a deadening consumer society, and his love of horses into a unique and personal religion in which he finds the passion that Dysart (Dan A. Cozzens ’03) lacks...
...passion, Equus is a talky play, with long speeches about Greek gods and the deadening effects of civilization that in the wrong hands could sound like overwrought, long-winded clichés. Cozzens makes the most of these moments, endowing Dysart with a slightly hostile glare and energetic hands, imbuing his rambling with all the energy of a repressed fancier of a dead society, with a frigid wife and a job whose benefit he begins to doubt. As Alan, Fishburn is a worthy foil, with a mournful stare and an affect that switches like a light between cold disengagement...
...lives and explorations is honest and unsparing, providing tiny details—Alan’s mother thinks a portrait of Christ going to Calvary is a bit too gory but doesn’t want to stop her son from hanging it up; the lawyer who wishes Dysart would shut up about “sacrifices to the God of Normal” has feelings of inadequacy on the job—that allow us to take them seriously and not just as mouthpieces for a viewpoint on the action...