Word: dystopias
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...movie Iron Man [May 19]. The implicit message of the film, with its stereotypical portrayals of Middle Eastern men and trivialization of the role of American soldiers in Iraq and Afghanistan, is not, as Corliss states, that "we've dwelled too long in the crypts of antiscientific dystopia." It is rather that the possession of state-of-the-art high-tech weaponry is the key to the triumph of good over evil, that might makes right and that combat is just a high-tech video game. The real villains in this film are not the merchants who supply both sides...
...production of Annie can help educate kids about the Depression and FDR's economic policies; Les Miz can be a window for a comparison of the revolutionaries of 19th century France with the Chinese students at Tiananmen Square. Travalino says her school's staging of Urinetown - about a future dystopia where citizens have to pay to pee - had an educational angle as well. "We have a student who started a recycling program," she says. "I thought, well, this show is perfect; it has to do with taking care of the environment and what can happen...
...corrupted by their ambitions, the new machine men triumph. The implicit message of Jon Favreau's Iron Man, which earned more than $100 million in its opening weekend, and of Larry and Andy Wachowski's Speed Racer is that we've dwelled too long in the crypts of antiscientific dystopia. We live in an age of sophisticated machines. They do much of our work for us; we spend most of our playtime with them. So let's recognize our symbiosis with machines--and celebrate our mastery of them--in movies that couldn't be made without them...
...MOSES IN DYSTOPIA And when he wasn't at home in the past, he was a voyager into the future. For a while in the late 60s and early 70s, Heston owned the upscale science fiction genre. As the stranded astronaut on the Planet of the Apes, he was the ultimate loner: the only member of his species in a world ruled by monkeys. Heston had caught a cold on the shoot, but director Franklin Schaffner insisted they keep filming, because the new gruffness in the star's voice lent a desperate urgency to his lines, from his first words...
...Christmas, he has another one-man dystopia drama. It's I Am Legend, directed by Francis Lawrence, the Viennese director of music videos who made his feature debut with a good science-fiction film, Constantine, and written by Akiva Goldsman, based on Mark Protosevich's script for a 1999 I Am Legend project that was to be directed by Ridley Scott and starring Arnold Schwarzenegger. As in I, Robot, Smith has seen the future - and it sucks...