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...what Fischbach calls "funny results" in two contemporary experiments, one involving gravity tests in a deep mine, the other the behavior of subatomic particles. "We felt the results could be explained with an additional force," says Fischbach, "so we went back to the data published by Baron Roland von E??tvs in Hungary in 1922 to see if we could find evidence." E??tvs had indirectly measured the speeds at which objects fall and found small discrepancies, which he attributed to limitations in his equipment. Re-examining the data, the team decided that the aberrations were caused...
Wonder if Budweiser “B to the E?? knows what FM knows...
Does this shock rock hold any significance or drawing power for modern audiences? Frankly, Mötley Crüe??s sleazy sexuality is more of a headache than a turn-on. Hopefully, any groupies who took off their snakeskin miniskirts to the Crüe??s infamous strip club theme “Girls, Girls, Girls” have long since traded bondage for bond trading. New generation would-be rockers have become jaded by an omnipresent sexuality in pop music even Wal-Mart sanctioned acts like Maroon 5 and Christina Aguilera...
...tley Crüe??s can’t even muster a power love ballad without overt attempts at controversy. “You’re All I Need,” a plodding rock song about the emotions we all go through when being sent to jail for killing an unrequited love, sounds like a mediocre Meat Loaf tune except instead of taking the words right out of her mouth, they take her life. Truly a universal story, one to which anyone can relate?...
...interchangeable set of drum patterns, chord progressions and whiny Vince Neil vocals. This is likely because the band lacked any ingenuity or real musical drive; their music was commercially calculated to reinforce their wild lifestyle. The only song lively enough for lap dancing is the Crüe??s most memorable hit, the drug-dealer-mock-heroic “Dr. Feelgood.” Covers of The Beatles’s “Helter Skelter,” The Sex Pistols’s “Anarchy...