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"I never knew but one artist who could resist the temptation to see things as they ought to be, rather than as they are, and that's Tom Eakins." Walt Whit man was one of the few people who had anything good to say about the cold-eyed and...

Author: /time Magazine | Title: Painting: Portraiture with a Scalpel | 8/15/1969 | See Source »

Rock-Bottom Honesty. Society, to be sure, was not Eakins' forte. He admired people of accomplishment, preferred to portray doctors, professors, scientists. In 1900, he became acquainted with several Roman Catholic clergymen at the St. Charles Borromeo Seminary in the Philadelphia suburb of Overbrook, and eagerly seized the opportunity...

Author: /time Magazine | Title: Painting: Portraiture with a Scalpel | 8/15/1969 | See Source »

This summer, for the first time, the clerics' portraits have been put on public display at the Philadelphia Museum of Art, where they are supplemented by loans from the Jefferson Medical College and the museum's own large Eakins collection. The series remarkably underscores the rock-bottom honesty...

Author: /time Magazine | Title: Painting: Portraiture with a Scalpel | 8/15/1969 | See Source »

Eakins came to his insight the hard way-through his own dashed hopes and disillusionments. His distinguished teaching career at the Pennsylvania Academy of Fine Arts had ended abruptly when he insisted on the need for students to draw from nude models. His great medical pictures, The Agnew Clinic and...

Author: /time Magazine | Title: Painting: Portraiture with a Scalpel | 8/15/1969 | See Source »

Tanner enrolled at the Pennsylvania Academy of the Fine Arts, where he studied between 1880 and 1882 under Thomas Eakins, who helped turn him from landscapes to genre scenes. The Banjo Lesson, done in about 1893, is typical in its unsentimental, robust honesty. Tanner's first one-man show...

Author: /time Magazine | Title: Painting: Methodist in Paris | 7/11/1969 | See Source »

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