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Lost & Found. With a few notable exceptions-most regrettably, Albert Ryder, whose works are few and hard to come by-Montclair covers its field pretty well, from early primitives to such contemporaries as Edward Hopper and Charles Burchfield. It has a Whistler, an Eakins, a Cassatt, a Prendergast, two Homers...

Author: /time Magazine | Title: Art: America, N.J. | 9/29/1961 | See Source »

His earliest paintings were for the most part street scenes in which buildings and bridges, walls and traffic overwhelmed the tiny humans that lived in the city. Gradually the human grew bigger and bigger until the figure itself dominated the canvas. Soyer longed to paint portraits in the manner of...

Author: /time Magazine | Title: Art: Oblivious People | 12/12/1960 | See Source »

¶ Thomas Eakins, by Fairfield Porter, views the greatest of American masters through a reducing glass, calls him "outside of his time, because his intuition was hindsight," and yet is a consistently brilliant and fascinating offbeat analysis.

Author: /time Magazine | Title: Art: Boost for the Natives | 10/12/1959 | See Source »

American Romance. Wyeth is limited. Compared with such a robust realist as Velásquez, he seems hardly to believe in reality. Compared with such a profound explorer-in-imagination as Pieter Brueghel, he sits by the stove cozily sketching. In context, his art has eminence. But the context is...

Author: /time Magazine | Title: Art: The Young Realist | 11/17/1958 | See Source »

On to Indispensability. The museum that Butler runs concentrates solely on American art; thanks largely to the $1,500,000 endowment of Founder Butler, it got in early on collecting U.S. paintings. Grandfather Butler spent 40 years tracking down his favorite painting for the collection: Winslow Homer's Snap...

Author: /time Magazine | Title: Medicine: Summer Refresher | 7/28/1958 | See Source »

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