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Word: eakinses (lookup in dictionary) (lookup stats)
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Nineteenth century Americans reveled in the twin myths of "discovery" and "progress," which had been so vastly strengthened by the physical conquest of North America and the expansion of technology. Americans could make anything, solve any problem, produce a cataract of inventions. This applied everywhere but the visual arts, where...

Author: /time Magazine | Title: BREAKING THE MOLD | 5/21/1997 | See Source »

Was Winslow Homer the greatest American painter of the 19th century? Around 1900, many Americans would have said yes. The reputation of Thomas Eakins stood nowhere near its present zenith, and there was something flashy and slightly suspicious about John Singer Sargent, the other main candidate. And Homer was not...

Author: /time Magazine | Title: ART: WINSLOW HOMER: AMERICA'S SUPREME REALIST | 6/24/1996 | See Source »

Rockwell Kent, Edward Hopper, George Bellows, John Marin, Marsden Hartley--they all owed Homer something. His images of men, sea and mountain, and especially of women, were asexual, but that only made them more American, and saved them from the whiff of scandal that clung to Eakins. His mastery and...

Author: /time Magazine | Title: ART: WINSLOW HOMER: AMERICA'S SUPREME REALIST | 6/24/1996 | See Source »

Not anymore. If there is any single lesson to be learned from the great Homer retrospective that was seen in past months at the National Gallery of Art in Washington and the Museum of Fine Arts in Boston and that opens this week at the Metropolitan Museum of Art in...

Author: /time Magazine | Title: ART: WINSLOW HOMER: AMERICA'S SUPREME REALIST | 6/24/1996 | See Source »

The group had formed around Henri in Philadelphia. Henri's original family name was Cozad--he was a very distant relation of Mary Cassatt--but his father, a riverboat gambler and property shark, had shot a man in Nebraska and had moved East and changed his name to escape the...

Author: /time Magazine | Title: ART: THE EPIC OF THE CITY | 2/19/1996 | See Source »

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