Word: eared
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Dates: during 1990-1999
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Every reading period, the greatest challenge facing Harvard students is finding an ideal place to study. Dorm rooms hold a million distractions: the phone, the Internet, the roommate who has given up on schoolwork altogether and who wants a sympathetic ear for her adventures from last weekend. The Yard and other outdoor locales may be picturesque, but the temptation to sunbathe and/or fall asleep can be overwhelming. House libraries get crowded quickly, Lamont is more conducive to people-watching and flirting than to concentrating on reading, and Widener is just too damn spooky. Cabot is strictly for the "serious" student...
...program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much to make-up for the ear-wrenching music. Jason Whitlow '99 put in a fine performance as Tony, effectively getting over the melodramatic choreography to step out with some powerful dancing. The rest of the ensemble seemed a little too frustrated with the with the choreography and the music to give the number the energy it really needed...
...swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers in everyone's gigantic communal ear. The safety of conformity and seduction of rebellion, themes prominent in Pink Floyd's music, were recreated in stark and surprising ways through the choreography...
...program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much to make-up for the ear-wrenching music. Jason Whitlow '99 put in a fine performance as Tony, effectively getting over the melodramatic choreography to step out with some powerful dancing. The rest of the ensemble seemed a little too frustrated with the choreography and the music to give the number the energy it really needed...
...swirling, swarming arena of motion and light. Clad in bodysuits of various neon and tie-dyed colors, the dancers marched in perfect unison onto the stage in the opening number, "Speak to Me," like drones from a futuristic world where money clangs and clammers in everyone's gigantic communal ear. The safety of conformity and seduction of rebellion, themes prominent in Pink Floyd's music, were recreated in stark and surprising ways through the choreography...