Word: earings
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...railing," said a very serious voice in my ear. "I can't let you jump while gripping the railing; it's not safe." Perhaps the fear was that I would jump with my feet while neglecting to let go with my hands...
...result? Based on the five parts available for viewing, this mini-series is anything but a vanity project. Rather, it is a diligent, well-crafted work that never spins out of control despite its grandiose conception. And yet, as anyone with an ear for faint praise can tell by now, it is pretty dull. That may seem hard to believe, given the subject matter--space exploration!--but watching From the Earth to the Moon induces a state of cognitive dissonance. The acting is first-rate; the details look right; still, the overall effect is boredom...
...here's a threefold message for all on-campus Harvard undergraduates. Future Quadlings: you should be grinning from ear to ear. Present Quadlings: it's time to revamp our image--be proud, and proclaim it loudly! River rats: don't pity us. Just visit us. You truly don't know what you're missing...
...natural to wonder how Ma stacks up next to his most celebrated predecessors, Pablo Casals and Mstislav Rostropovich (both of whose complete sets are currently available on EMI). Casals' classic performances, originally recorded between 1936 and 1939, have a sober grandeur that continues to seize and hold the ear six decades later; the Rostropovich set, recorded in 1991, is a larger-than-life exercise in musical oratory that bears the same relationship to "normal" cello playing that one of Chuck Close's jumbo portraits does to a black-and-white snapshot. Ma's strong, sensitive playing falls somewhere between these...
Three songs into an excruciatingly dense set of precisely performed ear-wrenching rumbles, lead singer and guitarist Justin Trosper introduced his band with a nonchalance that foretold the group's indifference to the audience: "Oh yeah, we're Unwound." Only the most self-absorbed rockers embrace such inconsideration...