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...Warren Beatty has played them in movies, or that I simply can't forget when Clarence got his wings in It's a Wonderful Life. I like the idea that my nearest and dearest deceased family and friends are actually my personal angels and speak various thoughts into my ear that I, in turn, interpret as intuition or great ideas. I wonder, for instance, if my grandmother whispered in my ear when I met my husband, "He's the one." Was it my brother who died from leukemia at age five who urged me toward a career in pediatrics...

Author: /time Magazine | Title: When Angels Save a Life | 4/13/2006 | See Source »

...challenge of how to tell the President became the burden of the moment. He was with students in front of a press corps. So I chose to state two facts and then make one editorial comment. I walked into the classroom, went up to the President's right ear, and bent down and said, 'A second plane hit the second tower. America is under attack.' I stepped back from the President. I did not want to invite a question or a debate...

Author: /time Magazine | Title: Farewell to the Chief: Andy Card's Last Trip | 4/12/2006 | See Source »

Ghostface’s ear for detail, his absolute sensory overload, and his unflagging energy can best be compared to Martin Scorcese’s films, big works with all the momentum of a freight train and none of the weight...

Author: By Richard S. Beck, CONTRIBUTING WRITER | Title: Ghostface Killah | 4/6/2006 | See Source »

...hardships, and everything in between.” “rainbow/streets” hopes to live up to its colorful title through the illustration of various emotions and personalities. The creative focus on the play’s language requires the audience member to keep a keen ear and cue in to what is being said, while the contemporary music adds a more modern feel that to which the audience can relate to and in which it can get engaged. The messages of the play are direct, in such a way that they, as Gentry affirms...

Author: By Jennifer Y. Kan, CONTRIBUTING WRITER | Title: 'Rainbow' Will Illuminate the 'Streets' | 4/6/2006 | See Source »

Perhaps both. The Yeah Yeah Yeahs' 2003 debut, Fever to Tell, careened between art-school punk--the song Tick repeated the word tick an ear-curdling 49 times--and vulnerable pop exemplified by the hit Maps, in which O chased after a lover with the lyric "Wait/ They don't love you like I love you." As the rare avant-garde band willing to dip a black-painted toenail into the mainstream, the Yeah Yeah Yeahs attracted a small but protective following that many bands would kill for, but they weren't satisfied. "We don't want to preach...

Author: /time Magazine | Title: Music: Taking On the Naysayers | 4/2/2006 | See Source »

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