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...Earl Beale, a salesman at a Boston used-car lot, is a former college basketball player who did time in Leavenworth for his role in a point-shaving scandal. The fact that he is an ex-con has somehow been erased from official records. For this dispensation, Earl knows that he owes someone a favor, and when the call comes, it looks simple. All he has to do is steal a car in Rhode Island...

Author: /time Magazine | Title: Bookends: Nov. 27, 1989 | 11/27/1989 | See Source »

With a sure sense of West Coast history, Morris shows how Nixon's early career grew naturally from a raw strivers' culture. Just as Nixon fought hereditary barons in campus politics, he later bucked the genteel Republicanism of Earl Warren. Morris demolishes the stereotype of Nixon as disembodied political gypsy. Nixon had roots in the same soil that produced the sagebrush rebellion. Morris also reconstructs the network of Nixon's early financial backers, including some of the millionaires who would later sponsor Reagan. After only six years in Congress, Nixon connected with a national following. Ultimately, it would unseat...

Author: /time Magazine | Title: Books: Martyr Or Machiavelli? | 11/6/1989 | See Source »

...stigma attached to the groups primarily afflicted by AIDS -- gays, minorities and intravenous drug users -- has unfairly limited the degree of economic assistance offered. "If this disease struck only the presidents of major corporations, the effort to evade responsibility would not have been tolerated by society," says Earl Shelp, executive director of Houston's Foundation for Interfaith Research and Ministry. Additionally, society's sense of financial obligation -- not to mention its compassion -- has been diminished by a blame-the-victim syndrome. "I think that there is a tendency to discount a situation if one feels that an infected person...

Author: /time Magazine | Title: Ethics: Who Should Foot the AIDS Bill? | 10/16/1989 | See Source »

...time is the late 1940s, the place Montgomery. James Earl Jones, portraying civil rights pioneer Vernon Johns, walks into an all-white diner, plops himself onto a stool and orders lunch. When the proprietor scornfully pours a Coke all over the counter, Jones erupts. "There's something inside of me," he growls, grabbing the man by the lapels, "that doesn't like to be pushed around...

Author: /time Magazine | Title: Video: TV News Goes Hollywood | 10/9/1989 | See Source »

Which is just the problem. The scenes with James Earl Jones were not just of motion-picture quality; they were virtually indistinguishable from a motion picture. TV news producers may well be capable of making docudramas as good as or better than Hollywood's; the question is whether they should. Journalists are in the business of conveying reality; re-enactments convert reality into something else -- something neater, more palatable, more conventionally "dramatic." Mental institutions are filled with raving loonies; murderers move in grainy, horrific slow motion; civil rights leaders look like James Earl Jones. There was no better drama...

Author: /time Magazine | Title: Video: TV News Goes Hollywood | 10/9/1989 | See Source »

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