Search Details

Word: earlied (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...sight of Peck ludicrous. The pace is non-existent until the last twenty minutes, a bloody brawl between Peck and Laurence Olivier as an old Nazi-hunter, when it may be labeled "slow." The old men resort to biting each other, and the graphic shredding of Olivier's ear and Peck's hand detracts aesthetically from the suspense...

Author: By David B. Edelstein, | Title: Cloning A Disaster | 10/23/1978 | See Source »

...such a cut contrasts dramatically with a tune like "Have I Been Away Too Long." The song is a showcase for Daryl Hall's free-wheeling, bluesy vocal style. He scales to ear-shattering highs and teams with John Oates for swirling harmonies that sharpen the tonal disparity between their voices. It's a fine song reminiscent of many earlier Daryl Hall tunes, but it probably will be disliked by many listeners because of its loose sound...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

...exit from Wonderland. As the orchestra loudly warms up, the White Rabbit bellows "Silence in the court!" and the instruments' din comically subsides. Then, for about an hour, the score seesaws between the basic narrative and funny, parodic arias that are often sweetly melodic and easy on the ear...

Author: /time Magazine | Title: Music: Orchestrated Lewis Carroll | 10/16/1978 | See Source »

...instruments used for special effects. The large orchestra, which includes brasses fit for Mahler or Richard Strauss, sometimes sounds like an elephant loose at a Victorian tea party. The trombones, trumpets and horns often drown out Hendricks, even though her voice is amplified. Still, Del Tredici has a winning ear. The eerie whoosh of a theremin, a primitive electronic instrument, signals Alice's alarming growth. Tempos slow down and shoot forward, keys slip in and out of place with perfect illogic. An orchestral fugue that accompanies the jury's strident deliberations builds from a contrapuntal quarrel among strings...

Author: /time Magazine | Title: Music: Orchestrated Lewis Carroll | 10/16/1978 | See Source »

MOST EMBARRASSING MOMENT: "Yeah, I guess it would have to be last year when we were looking at Harvard films. I'm a little deaf in one ear, see, so when Coach Blackman starts talking about the Restic "Multisex" offense, I start giggling, you know, sort of quiet like. And then coach Blackman, he says, 'OK, Elmer, what's the joke? If it's so funny, why don't you share it WITH THE WHOLE TEAM?' So I go, 'Heh, heh, the multisex, what does that mean--some of the the guys wear PANTIES on the field or something...

Author: By John Donley, | Title: JACK'S PROFILES | 10/14/1978 | See Source »

Previous | 470 | 471 | 472 | 473 | 474 | 475 | 476 | 477 | 478 | 479 | 480 | 481 | 482 | 483 | 484 | 485 | 486 | 487 | 488 | 489 | 490 | Next