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Desperate Crime. Democratic Senator Vance Hartke of Indiana was one of the earliest to show the temper of the Senate. After President Nixon scored the Congress in June for failing to act on his anticrime legislation, Hartke, who faces a tough re-election race against a conservative Republican opponent, issued a statement to his constituents praising the merits of the Nixon proposals. Wisconsin's Democratic William Proxmire explained that the Senate's and the public's fear of crime outweighed obscure and difficult-to-explain constitutional rights: "Where you have a desperate crime-increase situation, you take...

Author: /time Magazine | Title: The Senate: A Response to Fear | 8/3/1970 | See Source »

Though its origin was British, "ancient" fife-and-drum music has been best preserved in America, and especially in Connecticut, where it is a folk tradition passed down from generation to generation. The earliest American corps on record was founded in Annapolis in 1717. During the Revolutionary War, General George Washington issued an order stating: "Hours are to be assigned for all the drums and fifes of each regiment, and they are to attend them and practice; nothing is more agreeable, and ornamental, than good music." Because soldiers might have confused rehearsals with actual calls to arms, the Continental Army...

Author: /time Magazine | Title: American Scene: The Deep River Ancient Muster | 8/3/1970 | See Source »

...optimism that somehow an international agency would be devised to monitor the exploitation of all that underwater wealth. Pardo predicted that the U.N. would start setting up such a regime next year, though he conceded that a binding treaty could not be completed until 1973 at the earliest. Other delegates thought that an independent agency could do the job more efficiently than the bureaucracy-ridden U.N. Lord Ritchie-Calder likened the process to "the opening up of the last frontier. First, adventurers go into virgin-territories to stake their claims and repel interlopers," he said. 'Then the federal marshal...

Author: /time Magazine | Title: Environment: Pacem in Maribus | 7/20/1970 | See Source »

...scrupulous account of a creative mind should do, this show explores the earliest years, particularly the vivid paintings done in Corsica in 1898 and hardly seen since. The most sweeping changes that Matisse was to make are shyly explored in those first pictures. He celebrated well-laden tables, played with the refractions of light in liquid and glass, and caressed fruits and rich surfaces. He was hypnotized by the mysterious contrast between the cool interior and the hot partial view through the open window. But it was the human form that held for him the ultimate sensuous appeal...

Author: /time Magazine | Title: Art: Matisse's Imprint Upon an Age | 7/13/1970 | See Source »

...American skyscrapers- and the Met uses New York's Flatiron Building as the prototype. Certainly the Flatiron's architect was at least partly conscious of the heritage. He modeled the building after traditional towers and columns, separating it into three discrete sections: base, shaft and capital. Similarly, America's earliest settlers made a conscious effort to tap the main streams of Western architecture. Doric, Ionic and Corinthian pillars grace the front of many New England homes...

Author: By Richard E. Hyland, | Title: No Country for Old Men | 6/29/1970 | See Source »

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