Word: earling
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...film ends with a great shot. Blaze walks out of the state house where Earl's corpse lies, and the camera ascends to take in Long's old domain. Randy Newman's poignant song Louisiana 1927 -- a cracker's lament about a devastating flood -- reaches its apogee of symphonic paranoia with the line "They're tryin' to wash us away." Just then, the camera discovers the Mississippi roaring past, washing away Earl and his wily, wild, pre-TV tradition of Southern politics. What has happened down there is that the wind has changed, and for its last three minutes Blaze...
...affair made in tabloid heaven: stripteaser Blaze Starr ("Miss Spontaneous Combustion, and I do mean bustion!") and Earl K. Long, fine Governor of the great state of Louisiana. Long was too full of his princely power to be discreet about his indiscretions. Blaze could have told him -- and in this lengthy, clever, depressing film she does -- that "your political instincts are clouded by the aroma of my perfume." By 1959, when Long's campaign slogan was the forthright "I ain't crazy," his liaison with the stripper was as controversial as his tax evasion and support for Negro voting rights...
...Shelton (Bull Durham) directs Blaze with plenty of pungent wit, but from a high, disinterested view. He never gets steam into the affair. Paul Newman approaches Earl from the outside too, as a growly-bear clown who doesn't realize he's King Lear. Lolita Davidovich, making the most of her first big break, plays Blaze as a sensible, loving career gal with an overripe body. But the picture is not mainly about sex or even love; it is about an aging man's loss of sexual, political and personal power...
HOLY CROSS (86): Earl Weedon 6-0--12; Leon Dickerson 9-1--19; Scott Martzloff 1-1--3; Dwight Pernell 3-2--8; Lorn Davis 1-0--3; David Rothstein 0-0--0; Roger Breslin 0-0--0; Chris Fedina 2-1--5; Aaron Jordan 1-4--7; Kevin Kerwin 0-1--1; Derek Farkas 0-0--0; Bill Walker 5-0--11; Rick Mashburn 3-1--7; Frank Powell...
...slight problem with Trust, George V. Higgins' 20th book, is that Earl's task is simple. He pulls off the theft easily; for fairly complicated reasons, the intended victim wants the car to disappear. Unfortunately, Earl ignores the instructions to have the hot auto crushed in a trash compactor. He sells it instead, a characteristic act of greed that promises to get him in trouble. But Higgins seems much more interested in atmosphere than in denouement. There are long, long passages of the author's by now patented low-life banter, characters being long-winded and tedious about the banalities...