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This sort of dilution has its source in the script by Earl Hamner Jr., creator of television's The Waltons, a soft cow-eyed evocation of the Depression struggles of another Southern mountain family. Like John-Boy Walton, Mary Call wants to be a writer, and Hamner supplies reveries for her ("Lately I've begun to feel a bottomless fright") that have much less adolescent intensity than a kind of brilliantined adult sentimentality. Where the Lilies Bloom was made as a G-rated family movie, which is the probable reason- though hardly a good excuse- for avoiding...

Author: /time Magazine | Title: Cinema: Quick Cuts | 2/11/1974 | See Source »

While the news stories traced some links between the White House and the electronic eavesdropping on the Democrats, the Justice Department prepared to handle the case routinely. Henry Petersen, head of the department's criminal division, assigned a team of bright but junior prosecutors, including Earl J. Silbert, Seymour Glanzer and Donald Campbell, to the task. At Petersen's direction, they showed little zeal for tracing the source of the funds used by the men arrested at the Watergate or determining who had authorized the politically motivated crime...

Author: /time Magazine | Title: MAN OF THE YEAR: Judge John J. Sirica: Standing Firm for the Primacy of Law | 1/7/1974 | See Source »

...with surprising agility, joined the Masai tribal dancers and Kenyatta for some high kicks, to the delight of the celebrating crowds. -"He was a little bit ahead of his time in believing that a President should set some time aside for sex." On this titillating note, Gossipmonger Earl Wilson proceeds in his forthcoming book Show Business Laid Bare to reveal a "dalliance" between President John F. Kennedy and Marilyn Monroe. With details drawn mostly from the deathbed apocrypha that surround the star's suicide in 1962, Wilson constructs a labyrinthine scenario that shuttles Kennedy and Monroe round the country...

Author: /time Magazine | Title: People, Dec. 24, 1973 | 12/24/1973 | See Source »

...Square Theater, Iceman holds the play goer in the vise of O'Neill's passions and obsessions, but -the drama's organic life is stunted. Except for Hickey, Iceman 's characters tend to be puppets who are twitched to demonstrate the central the sis. James Earl Jones' Hickey is over wrought, a manic-morose evangelist given to fits of hysterical joviality. In a production not conspicuously endowed with strength or cohesiveness, Jones' prizefighter style makes him disconcert ingly and divisively strong, as if a born winner had stumbled into the company ofbornlosers...

Author: /time Magazine | Title: The Theater: Agon of the Sad Cafe | 12/24/1973 | See Source »

...street crimes like murder, arson and robbery-even when they have political overtones-have clear equivalents in all languages and systems of jurisprudence. They provide few extradition difficulties. A London magistrate had no trouble in deciding to order the extradition of James Earl Ray to stand trial for the assassination of the Rev. Martin Luther King Jr., even though Ray raised a political claim...

Author: /time Magazine | Title: The Law: Extradition: Tricks And Power Plays | 12/24/1973 | See Source »

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