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Late last December, Robert Earl ("Bubba") May Jr., 14, was arrested with three companions for using a shotgun to rob two fireworks stands near the sleepy farm town of Brookhaven, Miss., and stealing a wallet. Two nights later Bubba and two of his accomplices robbed a grocery and beat up a saleswoman. Indicted on four counts of armed robbery, he was convicted only a week later. His sentence: 48 years in prison without chance of parole, the product of a plea bargain by his court-appointed attorney...

Author: /time Magazine | Title: Law: Rough Justice in Mississippi | 2/26/1979 | See Source »

When Haley (James Earl Jones) interviews him for Playboy, Brando devilishly sprays his office with disinfectant and sings racist jingles...

Author: /time Magazine | Title: Television: A Super Sequel to Haley's Comet | 2/19/1979 | See Source »

...Rafer Johnson and former U.S.C. Running Back Anthony Davis -volunteered to play minor roles. Cafe Pianist-Singer Bobby Short flew to Los Angeles on a few days' notice to play himself in an early 1960s literary party scene. The biggest coups by far were the casting of James Earl Jones and Marlon Brando. Jones had originally been lined up to play Chicken George in Roots 1. Had he done so, he would not have been usable as Haley in Roots 11. But Jones pulled out of the first series because of a scheduling conflict and was available this time...

Author: /time Magazine | Title: Television: A Super Sequel to Haley's Comet | 2/19/1979 | See Source »

...strong impact. When a tribal oral historian, a griot, confirms the Haley family account of Kinte's capture by white 18th century slave traders, Alex's joy is overwhelming. "You old African! I found you! I found you! I found you! I found you!" shouts out James Earl Jones, his voice bursting with sobs. The TV audience may well sob along with him. Now as before, Roots occupies a special place in the history of our mass culture: it has the singular power to reunite all Americans, black and white, with their separate and collective pasts...

Author: /time Magazine | Title: Television: A Super Sequel to Haley's Comet | 2/19/1979 | See Source »

PURGATORY IS THE overriding subject of Narratives, Earl Kim's new musical adaptation of various excerpts from Samuel Beckett's work. In seven skits Kim effectively captures the essence of Beckett's purgatory-a world founded on the premise of an irreducible absurdity-one in which the realms of the shadow and substance constantly collide,interweave and fall apart. In this world characters are racked by doubt and tormented by a nightmarish past which they cannot escape or hope to understand. Purgatory is not a way-station between heaven and hell in Kim's view, it is the Universe itself...

Author: By Ken Wise, | Title: Talking Instruments | 2/13/1979 | See Source »

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