Word: ears
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Dates: during 1940-1949
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...Inaugural Ball he lin gered far past midnight, watching from his box as all official Washington danced on the floor below or crowded up for a word in his ear...
...Cole Porter first night is, in fact, a sort of ceremonial meeting of the two sides of Porter's life-show business and the high-living, high-gloss international society that lionized him long before his songs caught the public's ear. Between opening nights, Porter shuttles back & forth on a more or less rigid timetable between the greasepainted world of Ethel Merman and the gilded, brittle world of Elsa Maxwell...
...according to last week's Hooperatings, CBS had piled up a commanding lead. Jack Benny, moving from NBC to CBS, not only carried most of his listening audience with him but appeared to have bolstered CBS shows before & after his program. On CBS at 6:30, ear-jarring Spike Jones had climbed a few pegs, while Ozzie & Harriet on NBC dropped a few. Horace Heidt, hastily switched by NBC from 10:30 p.m. (where he had polled 17.3%) to the spot opposite Benny, sagged to 11.4%. CBS's Amos 'n' Andy kept a lead (19.1%) over...
...little to say and too little action. The rape scene got listeners on seat edge, but the other scenes slowed down to the speed of a grade-school tableau. Even the Herald Tribune's Thomson was disappointed: "There isn't enough music to hold the ear." Wrote his opposite number, Drama Critic Howard Barnes: "Music without a play...
...motherland. What more could a composer do? A good deal more, apparently, if he was to satisfy the music-loving Central Committee. Said Culture and Life: Prokofiev's music for the Tale of a Real Person was "in screaming contradiction with the text . . . hard on the ear and lacking in melody for singing . . . really insulting for a Soviet audience...