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...last year was sick," said Kennedy. "We have had a five-year period where we have been more or less standing still economically . . . When I came into office in January 1961, this country was in a recession. We have made a recovery from that recession." Near Kennedy was an easel of charts, prepared to illustrate how the economy has perked up during his Administration...

Author: /time Magazine | Title: The Economy: Politics v. Policy | 8/24/1962 | See Source »

...bronze statue that is in many ways as strange as the man it commemorates. Staring toward the rolling wheatfield that was the subject of Vincent's last canvas is a figure with peasant hat and deep-set eyes, the severed left ear barely suggested, paintbox and easel slung on his back. The work of Russian-born Sculptor Ossip Zadkine, it stands a few paces from the small walled cemetery where Van Gogh lies buried beside his brother Theo...

Author: /time Magazine | Title: Art: The Real Van Gogh | 7/28/1961 | See Source »

...mother, the other his father, and modeled them in clay. "When I had these two portraits I proceeded to create this being. He was an active man. Every morning he would go out, make three paintings, afterwards working on them a little at home. Except for his paintbox and easel, he looked like a peasant of the south of France, in corduroy coat and trousers. But enlarged in the statue, this corduroy looks like the bark of a tree. It looks like the texture he used in his Arles paintings, the great big scratches in his corn and wheatfields. Everything...

Author: /time Magazine | Title: Art: The Real Van Gogh | 7/28/1961 | See Source »

...freedom. The bold, abstract expressionism of Yugoslav painters has put them in the van of the avantgarde. Last week, during a week-long festival of international contemporary music in Zagreb, Yugoslav composers proved that they were as ready to accept far-out modernism as were their comrades at the easel. Sell-out audiences loudly approved...

Author: /time Magazine | Title: Music: Revolution in Zagreb | 6/2/1961 | See Source »

Realism Turns Unreal. He tirelessly sketched models of Greek and Roman statues, studied Rembrandt, Titian, Velasquez, and most of all, El Greco. When it came to his own painting, he refused to be hurried, would go through hundreds of "sittings"-three-to four-hour stretches before the easel-to achieve what he wanted. With a lesser talent, the result might have been dry and academic. Under Dickinson's brush a mystic world of magic harmonies emerged...

Author: /time Magazine | Title: Art: DEFYING TIME AND FASHION | 2/10/1961 | See Source »

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