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...necessary to provide jobs for our people." But he turned down committee invitations to suggest ways of trimming President Eisenhower's $71.8 billion fiscal-1958 budget (TIME, Jan. 28). Urged Wyoming's Democratic Senator Joseph O'Mahoney, pointing to a display of budget charts on an easel: "Take your scissors right now and point out places where it could be cut." A bit wistfully, Humphrey replied: "If I knew, I would have done so long...

Author: /time Magazine | Title: THE ECONOMY: Lay Those Curlers Down | 2/18/1957 | See Source »

Hopper yearned simply to "paint sunlight on the side of a house." But his oils lacked the gusto then in fashion. They showed an almost obsessive fear of the flourish. Xo one wanted them. For a whole decade he practically ceased 'painting them. His empty easel was wasteland, and within himself lay wilderness. His friends heard nothing from him; apparently he had gone under...

Author: /time Magazine | Title: Art: The Silent Witness | 12/24/1956 | See Source »

...place consists chiefly of two studios, his and hers. Josephine Hopper's studio is cheery and crowded with pictures; his is bright, bare, orderly and dominated by a loft. high easel. Hopper built the easel himself, shortly after moving into the studio 43 long years ago. Perhaps twice a year he puts a canvas on it and paints steadily, averaging a month to finish a picture. The rest of the time it stands empty, while he broodingly tries to visualize his next work...

Author: /time Magazine | Title: Art: The Silent Witness | 12/24/1956 | See Source »

WHEN French Painter Georges Braque walked into Pablo Picasso's cluttered Montmartre studio on the Rue Ravignan 49 years ago, he saw on the easel a painting unlike anything he had ever imagined. Said Picasso fiercely, "This is going to cause a big noise." And Picasso was right; his crosshatched galaxy of pink nudes, Demoiselles d'Avignon, ranks today as a turning point in art. But at the time, all that flabbergasted Georges Braque could say was, "You are trying to make us drink petrol in order to spit fire...

Author: /time Magazine | Title: Art: BRAQUE: THE COOL FIRE-SPITTER | 10/29/1956 | See Source »

...heat of inspiration, Vincent Van-Gogh could put in a straight eleven-hour stretch before his easel, then sit down and write: "These colors give me extraordinary exaltation. I have no thought of fatigue; I shall do another picture this very night, and I shall bring it off. I have a terrible lucidity at moments when nature is so beautiful; I am not conscious of myself any more, and the pictures come to me as in a dream...

Author: /time Magazine | Title: Art: VAN GOGH IN HIGH YELLOW | 9/24/1956 | See Source »

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