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...little girl. Its lighting is reminiscent of the impressionistic paintings of Renoir et al., and its atmosphere is that of a powder puff. Aaron Siskind's closeup of peeling paint is not supposed to look like paint alone; it is a faintly sinister pattern reminiscent of easel pictures by the German surrealist Max Ernst. Arnold Newman's portrait of Igor Stravinsky is heavily symbolic: its main feature is not Stravinsky, but a piano top photographed to resemble a looming note of music...

Author: /time Magazine | Title: Art: Two Billion Clicks | 11/2/1953 | See Source »

...bear children." She produced hundreds of children, but they were all on canvas. The daughter of a rich Philadelphia banker, Mary Cassatt embarked for Paris in 1868, when she was only 23. She spent the rest of her long life abroad, in obdurate and unremitting labor at the easel, and made herself the best female painter America has produced. She stayed a spinster all her life, but her favorite theme was that of mother and child. Without sentimentalizing the mother-child relationship, she pictured it clear, and each time new, in its innumerable facets...

Author: /time Magazine | Title: Art: BEST U.S. WOMAN PAINTER | 10/12/1953 | See Source »

When the Nazis occupied Rome in 1943, an elderly man slipped quietly into the city's artists' quarter and took over an empty studio. He wore the artist's standard beret and velvet jacket, filled his room with paints, brushes, canvas and easel. But the man was no artist. He was Guglielmo Emanuel, Rome correspondent of Milan's Corriere della Sera, and one of Italy's most renowned anti-fascist journalists. For years he had been in trouble with Mussolini's police; now with the Germans in power, they were looking for him again...

Author: /time Magazine | Title: Art: Birth of a Painter | 5/11/1953 | See Source »

...studio in Fordingbridge, 75 miles from London, looked oddly unlike the workshop of a great painter. Instead of easel and brushes, a wheelbarrow full of clay stood in the center of the room, the wooden kitchen table was littered with well-used sculptor's tools, and finished and unfinished busts rested on pedestals or were swaddled in damp cloth. But for all the strange clutter, it was the studio of Britain's dean of portraitists: bearded crusty old Augustus John, still vigorous and sharp-eyed at 74. In the six months, John has picked up the sculptor...

Author: /time Magazine | Title: Art: New Directions | 2/23/1953 | See Source »

Madeline Hewes paints pleasant, easy-to-understand pictures, which people enjoy looking at and museums, as well as private collectors, like to own. So far, she has painted 41 pictures, and sold 38 of them. The other three are fresh off the easel that stands in her Newtown, Conn, studio...

Author: /time Magazine | Title: Art: PLEASANT & POPULAR | 7/14/1952 | See Source »

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