Word: easels
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Dates: during 1950-1959
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Rocky Ground. For each work he spends months in research, more months in building up a mathematically scaled clay model, still more months at the easel or on the scaffold. A minute error can be heartbreaking. In a recent scale model, Benton had painted a birchbark canoe being set on the ground by a group of Indians. "People looking at it would ask right off what kind of damn fool Indians would be dragging a birchbark canoe across rocky ground. That changed the mural's entire design and set me back weeks. I had to do the model...
...dresses of his models and the boaters of his friends. Degas, with a draftsman's colder eye, made the backstage world of ballet dancers and the artificial world of footlights into a private universe. Pissarro, who conscientiously tried his hand at each new style, set his easel up in the French countryside, gave even the meanest farm a nobility and poetry. Van Gogh took the same subject, extended his sensibilities to achieve a kind of ecstatic identification with the countryside's own windswept rhythms...
...beef, toast and honey and Sanka. Then he set about bouncing back with a vigor that astonished his staff. In pajamas, beige dressing gown and slippers, he padded about the second floor of the White House, later got dressed in slacks and sweater, settled down to work at his easel on a portrait of Queen Elizabeth II's daughter, Princess Anne. He sought and got his doctor's permission to receive a few official visitors-Nixon, Adams, Hagerty and the King of Morocco. He put in a half-hour's formal work on state papers, signed...
...Telling. Hundreds of Rivera's greatest frescoes combine the sunshine of Renaissance humanism with Indian earthiness and cruel drama. Rivera was a great enough artist to bridge the Eastern and Western Hemispheres, and the 15th and 20th centuries. Most of his easel pictures -society portraits, nightclub nudes and tourist bouquets-are likely to pass away like grass now that Rivera is gone. The Indian museum-temple that he built to house his pre-Columbian collection will doubtless remain one of architecture's more intriguing curiosities. His murals are his lasting monument. Provocative at worst, or blatantly propagandistic...
...painter, swayed and disheveled by every wind that blew. His work shows every influence he met, from the meticulous refinement of his teacher Howard Pyle to the dashing violence of Frederic Remington, from turn-of-the-century impressionism to strict realism of the sort practiced by his son. His "easel pictures"-landscapes and figure pieces done for pleasure between illustrating assignments-were his worst. As some men can dance well only to brilliant music, Wyeth painted at his best only when inspired by a timeless tale...