Word: easels
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Instead of a social life, the young Virginia had her books. When she was not reading she was writing, at a peculiar four-foot desk, at which she stood to work, like a painter at an easel. "When I see pen and ink," she wrote to Lady Robert Cecil, "I can't help taking to it, as some people do to gin." This was her exercise and her liberation...
...painter, film maker and one of the originators of the Dada movement in art; in Locarno, Switzerland. While many of Richter's revolutionary friends, such as Painters Max Ernst and Marcel Du-champ and Sculptor Hans Arp settled into more traditional art forms, Richter gave up his easel for Dadaist and Surrealist film making. He made his first film, Rhythm 21, in 1921 and his best, Dreams That Money Can Buy, in 1947. In 1941 Richter fled Nazi Germany and came to New York, where he taught cinema for many years. In 1965 he published his authoritative account, Dada...
...Leder continues to dabble in this and that, still searching, for five hours each day. He likes to look out past his easel at the Square down below, but he doesn't paint it. He worries sometimes about being a painter and a priest at the same time--they're really quite similar, you see, but sometimes people don't seem to understand that. Actually Leder's goals as a priest and as a painter are practically identical, and in his own mind, at least, he has it all worked out quite well. "I strive," he says, "for communication with...
Considering himself a mural painter instead of an easel painter, Benton, after completing the 18-ft. by 31-ft. mural Independence and the Opening of the West (1961) in the Truman Library, told us, "When I came out of the Navy, after the first World War, I made up my mind that I wasn't going to be just a studio painter, a pattern maker in the fashion then dominating the art world-as it still does. I began to think of returning to the painting of subjects-subjects with meaning-which people in general might be interested...
...more important were the French Rubénistes. "From the moment I received it, I have not had a moment's repose," Antoine Watteau wrote to his patron Julienne after he had been given a picture by Rubens, "and my eyes are never weary of returning toward the easel where I have placed it as if in a shrine...