Word: easels
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Unencumbered by the luggage of tradition, and armed with that daring and brashness that is both the American virtue and vice, Jackson Pollock and others who followed him dispensed with the easel format, spread their canvases on the floor, and poured out tangled rhythms in loops and swirls of paint. What they accomplished was the destruction of form itself. "That liberation," says Japanese Critic Ichiro Hariu, "fired the imagination of artists around the world and touched off an artistic chain reaction." Adds Chicago Professor Franz Schulze: "Whether Abstract Expressionism was successful or not is less important than that it persuaded...
...beautiful objects per se was never his intent. "I don't like the word beauty," he often declared. "Utility and emotion and satisfaction, those are more important words." At one point, he even foresaw a day when paint and brushes would be discarded, though he conceded that easel painting did, after all, provide a platform for the play of ideas...
Back of the Easel. In recent years, particularly, a growing number of artists have chosen this device as a way of making outspoken comments about the nature of their calling. The majority of these works are little more than postgraduate examples of those art school exercises in which students are called upon to copy older paintings or even to try to improve on them. A minority illuminate their topic unforgettably. By penciling a Dali-like goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either...
...prove more unsettling than any of its predecessors. For one thing, the school is proliferating rapidly. One Manhattan showroom is currently showing Richard Pettibone's miniature copies of Andy Warhol's soup cans, while another opened last week with Howard Kanovitz's paintings of his easel, his art-world friends and the backs of his canvases. A third gallery is showing Malcolm Morley's version of Vermeer's Portrait of the Artist in His Studio-a much-admired painting that has also served as the model for a collage by Alfred Di Lauro...
...needed shot--blood-stained water flowing down the drain (a la Psycho)--packed up the equipment and went to sleep. We needed sleep because the next day we were going to film a scene in which Pete Jaszi, playing Sinister Butler, got hit in the knees with an easel hard enough so that it would break the easel...