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...Wang leads me through the cubicles into a conference room. It's called "the team room"--the hub of any consulting project. It is sparsely furnished with chairs and folding tables, an easel with newsprint and a wipeboard on one wall. The tables are covered with piles of paper, technical manuals (including Presentations for Dummies) and cables from the team's numerous laptops and cellular phones. The whole set-up is remarkably impermanent--the team could pack up and leave in about 20 minutes without leaving a trace...

Author: By David M. Rosenblatt, | Title: Fifteen Minutes: Consulting Consultants | 12/2/1999 | See Source »

...private, as if the viewer was intruding on the man's personal agonies and demons. Despite all this, the painting itself was not dismal or depressing but extremely reflective, piquing the viewer's curiosity. Mixco's piece was further enhanced by the fact that it was sitting on an easel in a corner of the exhibit and therefore had a private space of its own. Because of the easel, the painting seemed still very much attached to the artist, adding to the closeness already felt between artist and viewer...

Author: By Marcelline Block, CRIMSON ARTS STAFF | Title: PANORAMA | 3/19/1999 | See Source »

...private, as if the viewer was intruding on the man's personal agonies and demons. Despite all this, the painting itself was not dismal or depressing but extremely reflective, piquing the viewer's curiosity. Mixco's piece was further enhanced by the fact that it was sitting on an easel in a corner of the exhibit and therefore had a private space of its own. Because of the easel, the painting seemed still very much attached to the artist, adding to the closeness already felt between artist and viewer...

Author: By Marcelline Block, AND CONTRIBUTING WRITERS | Title: Visual Arts and Music | 3/19/1999 | See Source »

...subtitle fits. Almost from the time they left the easel, the portraits of Jean-Auguste-Dominique Ingres (1780-1867) were seen as being more than personal likenesses. They had a defining character. Ingres's period has coalesced around his art. In the first half of his life, when he was in Italy, the Mecca of the aspiring French painter, his pencil drawings caught the upper crust of foreigners there--the milords Anglais and their families on the Grand Tour, the French officials who ran Napoleon's kingdom in Italy, his fellow expatriate artists--with stylish brio and steely exactness...

Author: /time Magazine | Title: Art: The Faces of an Epoch | 3/8/1999 | See Source »

...There are three major factors to consider when strategizing for global growth in the spring semester course market," CSMG's founding partner, Benedict Arnold '97, explained to me as he unfolded several 20 by 24-inch bar graphs onto an easel in my bedroom for a colorful client presentation. "Costs, customers and competitors. This seminar on early Hebrew literature might look interesting, for example, but when we perform a cost-benefit analysis, we see that the amount of boredom actually increases as the course progresses, while your projected grade decreases. The course's consumer base is suspiciously small, so before...

Author: NO WRITER ATTRIBUTED | Title: Consulting Hits Home | 2/11/1999 | See Source »

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