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After routing Army last week 71 1/2 to 37 1/2, Coach Bill McCurdy is looking forward to his easiest win of the season...

Author: NO WRITER ATTRIBUTED | Title: B.U. Provides No Opposition For Trackmen | 12/15/1965 | See Source »

Motherwell proved a fast learner. The great lesson "of what modern art is all about," he believes, was first stated by French Symbolist Poet Stéphane Mallarmé in 1864: "Paint not the thing, but the effect it produces." For the young Motherwell, the easiest way to set this down was by combining oil, gouache and pieces of torn paper. Today his elegantly signed collages-which often combine pieces of French Gauloises cigarette packages, an envelope from his English bookseller or a football ticket-sell for from $3,500 to $5,500, are considered by connoisseurs the most elegant...

Author: /time Magazine | Title: Painting: Lochinvar's Return | 10/8/1965 | See Source »

...Beethoven's Violin Concerto in D. In the Sibelius piece, even the longest and most difficult runs executed at the highest speed had the clarity and order of a complex molecular structure. And as always, he seemed to toss it all off as if it were the easiest thing in the world. There is also something refreshing about his obvious delight in playing. Not for him is the agonized look that seems to be the accepted expression for most great violinists; instead, Szeryng is apt to look enraptured, and often smiles contentedly as he plays a favorite passage...

Author: /time Magazine | Title: Violinists: Cultural Ambassador | 9/3/1965 | See Source »

Interviewing Tom Rush wasn't the easiest thing to engineer. His telephone number isn't listed in any phone book, much less the Harvard alumni files; and when I called the Club 47 where he performs, the manager made me feel a little like a fourteen-year-old girl trying to get into the Beatles' dressing room...

Author: By Patricia W. Mccullough, | Title: Unfolksy Tom Rush Sings The City Blues | 7/22/1965 | See Source »

...network, believing that he was one of the industry's formative performers, tried to blow his valedictory* into a gala, but Jack felt otherwise. "I want to get out the easiest way possible," he decreed. "They say I'm emotional, and I am. I don't know what I'd do if I saw people around." So when Paar came on, there was no studio audience. All that could be seen was a tieless Jack and his German Shepherd, Leica, seated midway back in the taping theater...

Author: /time Magazine | Title: Television: Paar's Last Tape | 7/2/1965 | See Source »

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