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...dimensions. The case's air will be drawn out and replaced with argon, an inert gas. Then the case will be hung horizontally at the intersection of the Turin Cathedral's nave and transept, near the center of the cathedral's built-in cross. And thus six days after Easter, spectators will be allowed to view an image that has grown fainter with each unveiling: the portrait of a dead...

Author: /time Magazine | Title: Science And The Shroud | 4/20/1998 | See Source »

...those who want to keep Northern Ireland part of Britain to retain that status until a majority of those in the North decide otherwise. It was not lost on the parties who signed up for peace last week that the agreement came nearly on the anniversary of the 1916 Easter Rising that began the first stage of Ireland's liberation from English occupation...

Author: /time Magazine | Title: The End? | 4/20/1998 | See Source »

...tropes of the Passion cannot be cleanly divorced from the explicit Christian story the Passion tells, for religious Christians naturally continue to take the story of the Passion seriously (after all, it comes straight from the gospel of John). This becomes troublesome when, as with the Boston Cecilia's Easter-time performances of Bach's St. John Passion, the sacred Christian text contains traces of anti-Semitism...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Art and Anti-Semitism | 4/17/1998 | See Source »

Where the panelists sidestepped compromising questions, the mostly over-forty audience quickly stepped in. Several audience members questioned the mixed message sent through the frequency and regularity with which the St. John Passion is performed around Easter time. Stephan Jay Gould, whose participation was more appropriate than one would think (he actually sang in the chorus for each performance), eagerly responded that despite the discomfort that both Christians and Jews feel in performing parts of the piece, Bach's St. John Passion deserved to be performed on its artistic merit...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Art and Anti-Semitism | 4/17/1998 | See Source »

...more difficult time. Unlike instrumental pieces in which the drama is abstract, the St. John Passion has at its center a highly problematic text, simultaneously sacred and offensive. The audience member, whether he or she is Christian or simply wishes to enjoy the tradition of the Passion story at Easter time, is frustrated by the impossibility of sympathizing with the tragedy of the Passion without sympathizing also with the textual culpability of the Jews. And those who do not attend may be frustrated that it is received so warmly by the community...

Author: By Benjamin E. Lytal, CONTRIBUTING WRITER | Title: Art and Anti-Semitism | 4/17/1998 | See Source »

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