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Born. To Paul McCartney, 29, renegade Beatle, and Linda Eastman, 30, the honey blonde American divorcee who ended his bachelorhood two years ago; their second child, a daughter; in London. Name: Stella...

Author: /time Magazine | Title: Milestones, Sep. 27, 1971 | 9/27/1971 | See Source »

...like them to be as evolutionary as possible," he says. Bunting can take some unusual stands, largely because he is, by most measures, a highly successful moneymaker. Since he has become president, the bank has increased assets from $2.7 billion to $3.9 billion. The Wall Street brokerage firm of Eastman Dillon has just issued an investment report that praises the bank and Bunting, because "his decisions have proved farsighted and profitable." In particular. Eastman Dillon notes that he has raised the bank's earnings potential by acquiring mortgage and consumer finance firms, and has drawn valuable attention...

Author: /time Magazine | Title: PERSONALITIES: Bunting's Bet | 6/28/1971 | See Source »

Jazz Stigma. With notable exceptions like the Berklee College of Music and the New England Conservatory, the nation's great music schools are way behind the general universities. Only in the last year, for example, have conservatories like Eastman and Manhattan begun to offer jazz during regular semesters. Juilliard and Curtis still do not. Until very recently, a student could be evicted from conservatory practice rooms just for playing jazz. And that is as nothing compared to the astonishing neglect accorded jazz in black colleges. Major black schools like Fisk, Tuskegee and Wilberforce still do not condone it. Perhaps...

Author: /time Magazine | Title: Music: Jazz Goes to College | 6/7/1971 | See Source »

Explains Ken Cramer, 23, a blue-denimed, long-haired flute player out of Rochester's Eastman School of Music: "This way we can support ourselves, practice continually and keep on playing. Otherwise we'd be washing dishes instead of learning repertory...

Author: /time Magazine | Title: Music: Enclaves of Harmony | 4/5/1971 | See Source »

...violinist of the Budapest Quartet and the guiding genius behind the annual Casals Festival in Puerto Rico, is a man ill equipped by talent or temperament to put up with total beginners. Each participant arrived with a full supply of credentials, plus technique-gained largely from such conservatories as Eastman, Curtis or Juilliard. But at competitive schools like these, there is often an overwhelming emphasis on individual virtuosity and solo work. Schneider's main purpose was to teach the youngsters both the difficulties and the joys of making music together...

Author: /time Magazine | Title: Music: A Classical Woodstock | 1/11/1971 | See Source »

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