Word: eastwood
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Sixty-three years after U.S. forces vanquished the Japanese and planted the Stars and Stripes atop Iwo Jima's Mount Suribachi, the remote outpost in the Volcano Islands is the focus of another pitched battle. This time film directors Clint Eastwood and Spike Lee are sparring over the accuracy of Eastwood's two films about the clash, Flags of Our Fathers and Letters from Iwo Jima. Lee has claimed that by soft-pedaling the role of African Americans in the battle, Eastwood has whitewashed history...
...Clint Eastwood made two films about Iwo Jima that ran for more than four hours total, and there was not one Negro actor on the screen," Lee said last month at the Cannes Film Festival. "In his version of Iwo Jima, Negro soldiers did not exist...
...Eastwood's portrayal of the specific battle is, if narrow, also essentially accurate. Flags Of Our Fathers zeroes in on the soldiers who hoisted the U.S. flag atop Mount Suribachi, and this task, memorialized in a famous staged photograph, was accomplished by five white servicemen and a sixth, Ira Hayes, of Pima Indian descent. (His other entry in the Iwo Jima category, Letters from Iwo Jima, is told largely from the perspective of Japanese soldiers...
...Eastwood is also correct that black soldiers represented a small fraction of the total force deployed on the island. That argument doesn't placate Yvonne Latty, a New York University professor and author of a book about African-American veterans. Black soldiers "had the most dangerous job," she says. "If you were going to show the soldiers' landing, you'd need to show [African-Americans] on the beach." In Flags of Our Fathers, which shows the landing in significant detail, African-Americans appear only in fleeting cutaway shots and in a photograph during the film's closing credits...
...Moore lauds Eastwood's rendering of the battle, but laments the limited role accorded to African-Americans. "Without black labor," he says, "we would've seen a much different ending...